Miles DavisVolume 1

Label:

Blue Note – BLP 1501

Series:

Blue Note Classic Vinyl Series

Format:

Vinyl , LP, Compilation, Reissue, Remastered, Mono , 180g

Country:

Worldwide

Released:

Genre:

Jazz

Style:

Bop

Tracklist

A1 Tempus Fugit
Written-ByBud Powell
A2 Kelo
Written-ByJay Jay Johnson*
A3 Enigma
Written-ByJay Jay Johnson*
A4 Ray's Idea
Written-ByBrown*
A5 How Deep Is The Ocean
Written-ByBerlin*
A6 C.T.A. (Alternate Master)
Written-ByJimmy Heath
B1 Dear Old Stockholm
Written-By [Varmeland]Traditional
B2 Chance It
Written-ByOscar Pettiford
B3 Yesterdays
Written-ByHarbach*
B4 Donna (Alternate Master)
Written-ByMcLean*
B5 C.T.A.
Written-ByJimmy Heath
B6 Would'n You (Alternate Master)
Written-ByGillespie*

Companies, etc.

  • Record CompanyUniversal Music
  • Record CompanyBlue Note Records
  • Record CompanyUniversal International Music B.V.
  • Record CompanyCapitol Records, LLC
  • Distributed ByUniversal Music Distribution
  • Phonographic Copyright ℗Blue Note Records
  • Copyright ©Blue Note Records
  • Mastered AtCohearent Audio
  • Lacquer Cut AtCohearent Audio
  • Pressed ByOptimal Media GmbH – BN89835

Credits

  • Alto SaxophoneJackie McLean (tracks: A5, B1 to B4, B6)
  • BassPercy Heath (tracks: A1 to A4, A6, B5)
  • Design [Cover Design], Cover [Cover Design]Miles*
  • DrumsKenny Clarke (tracks: A5, B1 to B4, B6)
  • Lacquer Cut ByKPG*
  • Liner NotesLeonard Feather
  • Mastered By [LP Mastering]Kevin Gray
  • Photography By [Photo By]Francis Wolff
  • PianoGil Coggins
  • Remastered ByRudy Van Gelder
  • Tenor SaxophoneJimmy Heath (tracks: A1 to A4, A6, B5)
  • TromboneJay Jay Johnson*
  • TrumpetMiles Davis

Notes

[On hype sticker]
Audiophile vinyl reissues mastered from the original analog tapes

Runouts are etched.

Barcode and Other Identifiers

  • Barcode (Text): 6 02455 07705 9
  • Barcode (Scanned, UPC-A): 602455077059
  • Label Code: LC00133
  • Rights Society: BIEM/SDRM
  • Matrix / Runout (Side A runout): 5507705 00602455077059-A KPG@CA BN89835-01 A1
  • Matrix / Runout (Side B runout): 5507705 00602455077059-B KPG@CA BN89835-01 B1

Other Versions (5 of 101)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Volume 1 (LP, Compilation, Mono, Lexington) Blue Note BLP 1501 US 1955
New Submission
Volume 1 (LP, Compilation, Remastered, Test Pressing, Mono) Blue Note BLP 1501 US 1955
New Submission
Volume 1 (LP, Compilation, Mono, Reissue, Remastered) Blue Note BLP 1501 US 1958
Recently Edited
Volume 1 (LP, Compilation, Reissue, Remastered, Mono) Blue Note BLP 1501, 1501 US 1958
New Submission
Volume 1 (LP, Compilation, Reissue, Remastered, Mono) Blue Note BLP 1501, 1501 US 1958

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Reviews

  • PuttingItOnWax's avatar
    PuttingItOnWax
    Grabbed this pressing to hear “Hard Bop Miles” and was very impressed with Davis’ earlier sound before “The Cool,” subdued, modal and muted “Prince Of Darkness.” 1501 really exceeded my expectations.

    Kevin Gray did a fine job on this one! My copy is flat, quiet with ZERO playback issues on both sides. It’s quite an enjoyable date, great playing by all.
    • jgknick's avatar
      jgknick
      Flat, quiet vinyl...very quiet surfaces. The sound is not high fidelity, but more archival in quality. Davis sounds very bright. The whole vibe is blatant, almost crude, with the exception of the trombone. I don't mean to say that I don't like it, just that it is different from what I expected from Miles Davis. Certainly Blakey does exactly what I expect him to do! This is a mono record, so it doesn't really make sense to talk about a soundstage; however, you do get the illusion of some separation of the instruments, and everything is quite clear, including the bass and the piano. A previous reviewer mentioned that the sidemen really shine, and that is quite true, but this record is nonetheless all about Miles Davis, and that fact will determine whether or not you want it in your collection. In of quality, it is one of the very best I have heard in this series. This is a record to enjoy for a lifetime; I will never need an upgrade on this one. I plan on buying Volume 2 soon.
      • JesperMailand's avatar
        JesperMailand
        A spotless record - no clicks, no background noise - only the amazing music from Miles Davis and his ensemble.
        • 12stringblues's avatar
          12stringblues
          I was hoping to hear a big improvement over the Hi-Rez digital version I have of this album but I was a little disappointed that Kevin Grey did not perform a miracle on this album. I guess my expectations were high considering how wonderful Miles discography sounds. But I think they were still working out how to perfect recording in 1952, by the middle of 1953 you start hearing the bliss that could be achieved. You can clearly hear a improvement of sound on CTA where the B side sound better than the earlier recorded A side. Vol. 2 is better recorded overall but even so the music on Vol.1 is great and I think this is as good as it will get on vinyl. If you are a Miles fan this is a great way to hear the formation of what would become his great era of quintets/sextets with Prestige and Columbia.
          • ausgraeme's avatar
            ausgraeme
            Edited one year ago
            Miles before he was “MILES”. To be honest Miles is often outshone by his sidemen at times on this early release but there’s a lot of bop era gold here to be mined.
            Slightly primitive sound quality but still this is nice and clear and probably as good as this will get. Great pressing with no flaws to report.
            A great bop document
            • nreszetar's avatar
              nreszetar
              Edited one year ago
              The soundstage is insane, especially, as has been said, given the age of tapes. Very good separation overall with Miles and the other horns really seeming to come at you from space. The drums mostly sound good, except for the dense areas where they distort, probably due to limitations of the recording technology. The pressing is flat with a bit of surface noise, which actually feels a bit endearing in this release. Overall as good a reissue as you'll see of earlier jazz recordings. Buy with confidence.
              • Eric-1965's avatar
                Eric-1965
                Great album! Sound quality is exceptional good seen the age of the recordings. Great job done very well Kevin!
                • disc-continued's avatar
                  disc-continued
                  KPG has done a stunning job on the recent 1500 era "compilation" albums from the BNC Series. This is no exception. In a world of KPG produced banality, he occasionally rises above his middling standards to deliver excellence.
                  • 1crosscutsaw's avatar
                    1crosscutsaw
                    Well worth adding to the collection. Beautifully remastered, considering the age of the recordings. No surface noise. Flat disc. Nice job BN and Kevin Gray!
                    • TheLateArthurDent's avatar
                      Fantastic. Besides lacking the body of a modern recording/remastering, there's clarity and breadth of field to savor. What a treat to hear these early blue note recordings at an easy price and without any issues.

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