Archie Shepp – Four For Trane
Label: |
Elemental Music – 700190 |
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Format: |
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Country: |
Europe |
Released: |
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Genre: |
Jazz |
Style: |
Avant-garde Jazz |
Tracklist
| A1 | Syeeda's Song Flute | 8:25 | |
| A2 | Mr. Syms | 7:56 | |
| B1 | Cousin Mary | 7:10 | |
| B2 | Naima | 7:10 | |
| B3 | Rufus (Swung, His Face At Last To The Wind, Then His Neck Snapped) | 6:22 |
Companies, etc.
- Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey
- Published By – Elemental Music – 700190
Credits
- Alto Saxophone – John Tchicai
- Bass – Reggie Workman
- Design [Cover] – Robert Flynn (2)
- Design [Liner] – Joe Lebow
- Drums – Charles Moffett
- Engineer – Rudy Van Gelder
- Flugelhorn – Alan Shorter
- Liner Notes – LeRoi Jones
- Photography By [Cover & Liner] – Charles Stewart*
- Producer – John Coltrane
- Tenor Saxophone – Archie Shepp
- Trombone – Roswell Rudd
Notes
Recorded on August 10, 1964.
Official reissue by Elemental music in collaboration with Impulse Records!
Special Gatefold Edition.
Official reissue by Elemental music in collaboration with Impulse Records!
Special Gatefold Edition.
Barcode and Other Identifiers
- Barcode: 0600753970461
Other Versions (5 of 51)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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| Four For Trane (LP, Album, Stereo, Gatefold) | Impulse! | AS-71 | US | 1965 | |||
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Recently Edited
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Four For Trane (LP, Album, Mono) | His Master's Voice | CLP 3524, CLP. 3524 | UK | 1965 | ||
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New Submission
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Four For Trane (LP, Album, Stereo, Gatefold) | Impulse! | A-71-S, A-71, AS-71 | Canada | 1965 | ||
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New Submission
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Four For Trane (LP, Album, Stereo) | His Master's Voice | CSD 3524, CSD. 3524 | UK | 1965 | ||
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New Submission
|
Four For Trane (LP, Album, Mono) | Impulse! | A-71 | US | 1965 |
Recommendations
Reviews
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Anyone knows the origin for this Elemental Music edition, is it digital or analogue (original tapes)?
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Edited one year agoA real holiday for all jazz lovers. Finally, an official and serious release of this brilliant album from the workshop of the master tenor. Reworked versions under the supervision of its author appear fresh and at the same time artistically valuable. Shepp invited, or received first-class cats in this field. Shepp himself and trombonist Rudd have a very good Coltrane to listen to, what can be felt from the album. It's striking how confident the album feels as a whole, especially considering it's Shepp's debut. Perfect rhythm runs like the best clock engine. The album even comes close to the original versions with a subtle spirituality, perhaps a little at the expense of the melody. From several listening sessions, it gradually becomes, I apologize - the original. Behind the fantastic result is Van Gelder's excellent sound, which I appreciated from several previous media. This stereo version is stretched a bit more in space. But compact and without the "chaos of L+R". The MPO pressing is cut a little louder, but without distortion. The instruments sound clean, textured and probably warm for a digital origin.The color of the packaging is similar to the others from this series, creamy, but with nice contours. The paper is thin, but it smells nice even with the vinyl...
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