Miles Davis – Star People
Label: |
Sony Music Commercial Music Group – 19439989601 |
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Series: |
Vinyl Me, Please. Classics – C066 |
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Blues |
Style: |
Fusion |
Tracklist
A1 | Come Get It | 11:22 | |
B1 | It Gets Better | 9:47 | |
B2 | Speak | 8:24 | |
C1 | Star People | 18:44 | |
D1 | U 'n' I | 5:55 | |
D2 | Star On Cicely | 4:23 |
Companies, etc.
- Copyright © – Columbia Records
- Phonographic Copyright ℗ – Columbia Records
- Record Company – Sony Music Entertainment
- Manufactured For – Vinyl Me, Please
- Manufactured By – Sony Music Entertainment
- Lacquer Cut At – Sterling Sound
- Mastered At – Welcome To 1979
- Pressed By – Record Technology Incorporated – 40273
- Pressed By – Record Technology Incorporated – 39582
- Recorded At – CBS Studios, New York
- Recorded At – Record Plant, N.Y.C.
- Remixed At – CBS Studios, New York
- Mastered At – Frankford/Wayne Mastering Labs
- Exclusive Retailer – Vinyl Me, Please
Credits
- Art Direction – John Berg
- Design [Cover Design] – Janet Perr
- Drums – Al Foster
- Electric Bass – Tom Barney
- Electric Guitar – Mike Stern
- Engineer – Lou Schlossberg
- Engineer [Recording & Remix Engineer At CBS Studios] – Don Puluse
- Engineer [Recording Engineer At Record Plant] – Jay Messina
- Engineer [Remote Sound Engineer] – Ron Lorman
- Executive-Producer – George Butler
- Illustration, Design Concept [Color Concepts & Basic Attitudes] – Miles Davis
- Lacquer Cut By – Ryan Smith (2)
- Liner Notes [Listening Notes Booklet] – Harmony Holiday
- Mastered By – Joe Gastwirt
- Percussion – Mino Cinelu
- Producer – Teo Macero
- Technician [Technical Assistants] – Mark Allison
- Tenor Saxophone, Soprano Saxophone – Bill Evans (3)
- Trumpet, Keyboards – Miles Davis
Notes
Sticker:
• First ever 2LP release of Miles' blistering 1983 album
• (AAA) lacquers cut from tapes by ryan Smith, Sterling Sound; Plated at Welcome to 1979
• Pressed on 180g black audiophile vinyl at RTI
• Listening notes booklet by Harmony Holiday
© 1983. 2022 Columbia Records, a division of Sony Music Entertainment. ℗ 1983 Columbia Records, a division of Sony Music Entertainment. Manufactured for Vinyl Me, Please by Sony Music Entertainment, 25 Madison Avenue, New York, NY 10010-8601.
• First ever 2LP release of Miles' blistering 1983 album
• (AAA) lacquers cut from tapes by ryan Smith, Sterling Sound; Plated at Welcome to 1979
• Pressed on 180g black audiophile vinyl at RTI
• Listening notes booklet by Harmony Holiday
© 1983. 2022 Columbia Records, a division of Sony Music Entertainment. ℗ 1983 Columbia Records, a division of Sony Music Entertainment. Manufactured for Vinyl Me, Please by Sony Music Entertainment, 25 Madison Avenue, New York, NY 10010-8601.
Barcode and Other Identifiers
- Matrix / Runout (Runout side A): 194399896013-A RE1 VMP-C064 A 40273.1(3)... RKS STERLING
- Matrix / Runout (Runout side B): 194399896013-N RE1 VMP-C064 B 40273.2(3)... RKS STERLING
- Matrix / Runout (Runout side C): VMP-C064 194399896013-C RKS STERLING 39582.3
- Matrix / Runout (Runout side D): VMP-C064 D 194399896013-D RKS STERLING 39582.4
- Rights Society: BMI
Other Versions (5 of 40)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Star People (LP, Album, Pitman) | Columbia | FC 38657 | US | 1983 | |||
Star People (LP, Album) | CBS | CBS 25395 | Europe | 1983 | |||
Recently Edited
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Star People (LP, Album) | CBS/Sony | 25AP 2530 | Japan | 1983 | ||
New Submission
|
Star People (LP, Album, Stereo) | CBS | 25395 | Portugal | 1983 | ||
Recently Edited
|
Star People (CD, Album) | CBS/Sony | 35DP 55 | Japan | 1983 |
Recommendations
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2022 USLP, Album, Club Edition, Reissue, Remastered, Mono
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2022 USLP, Album, Club Edition, Reissue, Remastered, Stereo
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2023 USLP, Album, Club Edition, Reissue, Remastered, Stereo
Reviews
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Edited one year agoOn the wikipedia page for this album there is a snarky album review featured by some jazz critic (I won't even dignify including his name here). He likens this album to a comedic effort. I don't get why some folks feel compelled to bend over backwards to find an angle that they think Miles was conjuring up. Like somehow they know what Miles was thinking - no one knew what Miles was thinking ever.
This is a brilliant album straight up with no pretense whatsoever. Mile's put his all into this back in 1983 and made sure he had some great musicians to back him up on this endeavor. I agree with others about the VMP cheap packaging which is disappointing - the plastic sleeve had to be split open to get the album jacket out however the vinyl is nicely pressed. -
The packaging sucks on this release. Really flimsy wide spine jacket, no spot-embossing, just two RTI clear sleeves shoved inside it. A new low for VMP packaging, especially on a main track release.
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This pressing is great. In of the content it sounds like cocaine recorded an album more than any of the players did. So, this is quite an entertaining jam.
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My copy is not "dead silent", but has some intermittent low-level noise. To my ears, the record sounds good. The presentation is not quite the deluxe treatment we expect from VMP. With a two-record set, it would have been nice to have a gatefold sleeve, maybe with some nice pictures of Miles Davis on the inside. Instead we get both records shoved together into one enlarged outer sleeve, and the whole thing feels a bit cheap and flimsy compared with what we usually get. Listening notes are included, which is appreciated. Inners are clear plastic sleeves instead of what we usually get. Striking cover artwork looks good. Back cover is mostly text, which has minimal eye appeal. Overall, I was mostly disappointed with this one. Compare with something like the recent Freddie Roach album from VMP, or their version of Sun Ship, and you come away feeling that this record does not measure up in pressing quality or in musical quality. But I will live with it for a while and see if it grows on me.
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Releases like this are why I subscribe. Even as a huge Miles fan, I've never listened to this album and likely never would have if not for VMP. If "underrated" was ever used properly, an album like this is the perfect example of the term.
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Edited one year agoMy pressing looked near perfect with a very light clouds here or there. The sound is excellent and vivid. Somebody has turned up the volume on this one! Even if there were surface noise, the music would easily hide it. I'm very happy with the pressing.
Vivid is the word I want to use to describe the sound. It's so forceful, not in-your-face type, but the soundstage has a depth to it. It's almost like the band is arranged in layers, as the stage seems to stretch far back - I'm assuming the use of reverb is at play. There are so many sounds coming out at once, that the music can just wash over you - I lay back in dumbfounded excitement and let the music just overwhelm me. Miles is always in the center, it seems, with a high pitched horn. I can't possibly list all the instruments used, but the drums are in the middle somewhere, along with the electric guitar and bass. Everything sounds so sharp and, well, vivid. It's excellent.
The pressing is pretty close to being dead silent. This is a most blast-worthy record. I belong VMP, so it's a record that I swapped for. If you are not a VMP member, this record goes for $50; as a member, $43. It's worth it, IMO, at either price.
I give this a 5+. VMP seems to hit some of these reissues out of the park, which are probably exactly those releases, like this one, which use Ryan Smith mastering, and pressing at RTI.
Cartridge: AT150Sa -
Super nice album, not at all dull but rather viceversa. For me, a top Miles Davis album.
The pressing I’ve got is really good. -
Says “cut from tapes”, but that could mean anything, but certainly not masters. Compared to Japanese first press this VMP is rather flat and lifeless. I suspect that tape is some generations away from the master. Anybody know for sure?
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Just wow, dead silent background, good dynamics, flat records, good plastic sleeves how can it get better by putting Miles Davis in the grooves!
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This is an excellent album, mastered and vinyl quality is excellent. I was looking forward to this VMP Classic release and it did not disappoint! A++
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