Kendrick Lamar – To Pimp A Butterfly
Label: |
Interscope Records – B0023464-01 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Funk / Soul |
Style: |
G-Funk |
Tracklist
A1 | Wesley's Theory | 4:47 | |
A2 | For Free? (Interlude) | 2:10 | |
A3 | King Kunta | 3:54 | |
A4 | Institutionalized | 4:31 | |
A5 | These Walls | 5:00 | |
B1 | U | 4:28 | |
B2 | Alright | 3:39 | |
B3 | For Sale? (Interlude) | 4:51 | |
B4 | Momma | 4:43 | |
C1 | Hood Politics | 4:52 | |
C2 | How Much A Dollar Cost | 4:21 | |
C3 | Complexion (A Zulu Love) | 4:23 | |
C4 | The Blacker The Berry | 5:28 | |
D1 | You Aint Gotta Lie (Momma Said) | 4:01 | |
D2 | I | 5:36 | |
D3 | Mortal Man | 12:07 |
Companies, etc.
- Record Company – Universal International Music B.V.
- Phonographic Copyright ℗ – Aftermath Records (3)
- Phonographic Copyright ℗ – Interscope Records
- Copyright © – Aftermath Records (3)
- Copyright © – Interscope Records
- Copyright © – Asthmatic Kitty Records
- Recorded At – Chalice Recording Studios
- Recorded At – Downtown Music Studios
- Recorded At – Notifi Studios
- Recorded At – House Studios, Washington, D.C.
- Recorded At – No Excuses Studios
- Mixed At – No Excuses Studios
- Mastered At – Bernie Grundman Mastering
- Produced For – 1da Boi Productions Inc.
- Licensed From – Jazzman Records Ltd.
- Licensed From – Sony Music Entertainment
- Licensed From – Concord Music Group, Inc.
- Licensed From – UMe
- Published By – Wb Music Corp.
- Published By – TDE Music
- Published By – Hard Workin' Black Folks Publishing
- Published By – Westbury Music Ltd.
- Published By – Roynet Music
- Published By – Rose Mac Music
- Published By – Blessed Seeds Of God
- Published By – Sounwave TDE Productions
- Published By – Sony ATV
- Published By – Laneway Publishing
- Published By – Q Baby Music
- Published By – Mijac Music
- Published By – Sony/ATV Songs LLC
- Published By – Ahmad Music
- Published By – Universal Music Corp.
- Published By – EMI Full Keel Music
- Published By – Music Of Windswept
- Published By – BMG Music
- Published By – Dynatone Publishing Co.
- Published By – Unichappell Music, Inc.
- Published By – Almo Music Corp.
- Published By – Producer Pizza
- Published By – Tommy Black
- Published By – Blue Nike Publishing
- Published By – Fauntleroy Music
- Published By – Big Yacht Music
- Published By – EMI April Music Inc.
- Published By – More Water From Nazareth
- Published By – Kanpai Music
- Published By – Sony / ATV Music Publishing
- Published By – Queen Of The Planet Productions
- Published By – Cisum Naashar Publishing
- Published By – Uncle Buddies Music Inc.
- Published By – BMG Rights Management
- Published By – Donte Lamar Perkins
- Published By – Just Isn't Music Ltd.
- Published By – New Jerusalem Music
- Published By – Black Bull Music, Inc.
- Published By – Jobete Music Co., Inc.
- Published By – Josef Leimberg Music
- Published By – 1damentional Publishing LLC
- Published By – Sony/ATV Tunes LLC
- Published By – Stephen 1daniable Publishing
- Published By – Kenobi Songs Publishing
- Published By – Whiskey Valentine Publishing
- Published By – Tenyor Music
- Published By – BMG Gold Songs
- Published By – AIX Publishing
- Published By – BMG Rights Management (US) LLC
- Published By – Bovina Music, Inc.
- Published By – BMG Ruby Songs
- Pressed By – Takt Direct – 01065970
- Pressed By – Takt Direct – 01066076
Credits
- A&R [A&R - Interscope Records] – Alicia Graham*
- A&R [Interscope Records A&R] – Manny Smith (2)
- A&R [Interscope Records | Top's Homies] – Steve Berman (3)
- A&R [Top Dawg Entertainment A&R] – Sounwave
- Arranged By [String Arrangement] – Terrace Martin
- Art Direction – Vlad Sepetov
- Coordinator [A&R Coordinator - Interscope Records] – Chelsea Blythe
- Executive-Producer – Dr. Dre
- Legal [Interscope Records Legal] – Todd Douglas
- Legal [Top Dawg Entertainment Legal] – Joshua P. Binder, Esq.
- Management [General Manager - Aftermath Entertainment] – Ashley Palmer
- Management [Top Dawg Entertainment Digital] – Ashley Outrageous
- Management [Top Dawg Entertainment Management] – Retone*
- Marketing [Interscope Records] – Archie Davis
- Marketing [Top Dawg Entertainment] – TDE Marketing
- Mastered By – Mike Bozzi
- Photography By [Additional] – Roberto "Retone" Reyes*
- Photography By [Cover] – Denis Rouvre
- Photography By [White House] – Diego Cambiaso
- Producer [Associate Producer] – Dave "Miyatola" Free*
- Public Relations [Publicity - Interscope Records] – Ray Alba
- Public Relations [Sales - Interscope Records] – Gary Kelly (3)
- Recorded By [String Recordings] – Thomas Cullison
Notes
Released in a gatefold cover.
No track durations mentioned on the release.
The credit section inside gatefold contains some errors:
– Credits that apply to "Momma" are mistakenly listed as belonging to "Hood Politics" and vice versa.
– Writing credit for "King Kunta" mistakenly omit "Johnny Burns", instead crediting "T. Lane"
[Back cover]
TDE / AFTERMATH / INTERSCOPE RECORDS, 2220 COLORADO AVE. SANTA MONICA, CA 90404
DISTRIBUTED IN THE UNITED STATES BY UNIVERSAL MUSIC DISTRIBUTION
℗© 2015 AFTERMATH / INTERSCOPE RECORDS. ALL RIGHTS RESERVED. B0023464-01
MANUFACTURED IN POLAND (sticker on shrink)
Runouts are etched.
No track durations mentioned on the release.
The credit section inside gatefold contains some errors:
– Credits that apply to "Momma" are mistakenly listed as belonging to "Hood Politics" and vice versa.
– Writing credit for "King Kunta" mistakenly omit "Johnny Burns", instead crediting "T. Lane"
[Back cover]
TDE / AFTERMATH / INTERSCOPE RECORDS, 2220 COLORADO AVE. SANTA MONICA, CA 90404
DISTRIBUTED IN THE UNITED STATES BY UNIVERSAL MUSIC DISTRIBUTION
℗© 2015 AFTERMATH / INTERSCOPE RECORDS. ALL RIGHTS RESERVED. B0023464-01
MANUFACTURED IN POLAND (sticker on shrink)
Runouts are etched.
Barcode and Other Identifiers
- Barcode (Text): 6 02547 31100 9
- Barcode (Scanned): 602547311009
- Matrix / Runout (Side A runout, variant 1): 01065970-A-1 13
- Matrix / Runout (Side B runout, variant 1): 01065970-B-1 6
- Matrix / Runout (Side C runout, variant 1): 01066076-C-1 12
- Matrix / Runout (Side D runout, variant 1): 01066076-D-1 10
- Matrix / Runout (Side A runout, variant 2): 01065970-A-2
- Matrix / Runout (Side B runout, variant 2): 01065970-B-2
- Matrix / Runout (Side C runout, variant 2): 01066076-C-3 14
- Matrix / Runout (Side D runout, variant 2): 01066076-D-2 26
Other Versions (5 of 38)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
To Pimp A Butterfly (16×File, AAC, Album, 256 kbps ) | Interscope Records | none | Worldwide | 2015 | |||
Recently Edited
|
To Pimp A Butterfly (CD, Album) | Interscope Records | AFTMB002295802CD | US | 2015 | ||
To Pimp A Butterfly (CD, Album) | Interscope Records | 0602547270917 | Europe | 2015 | |||
New Submission
|
To Pimp A Butterfly (CD, Album) | Interscope Records | B0022958-02 | Canada | 2015 | ||
New Submission
|
To Pimp A Butterfly (CD, Album) | Interscope Records | DS31203 | South Korea | 2015 |
Recommendations
Reviews
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Runouts on mine match this closer than any other listing on here although they’re not exact. Weighed the actual records too 1 was 190g one was 186g for anyone curios.
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blown away at how much this sounds on vinyl, a completely different listening experience than mp3, cd or stream, highly recommend this one , this was ment for vinyl
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Insane piece of artwork let alone music. Thundercat doing his thing throughout the entire record. really good
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Possibly the greatest rap album to ever come out. Greatly mixes rap with jazzy beats. Terrific storytelling and influence.
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Absurd pressing. Mine came pretty banged up with surface issues from a retail environment. No problem after an exchange. All that aside, it sounds great. Warm, expansive, dynamic. Great sounding heavy pressing.
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Edited one year agoNice pressing, clean and no surface noise. Good dynamics.
But side D had a scratch. When the needle touches it, makes a slight click/pop. Fortunately, it's only audible in the Mortal Man interview.
It's a really good pressing anyways. -
Release
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Recently Edited
Recently Edited
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