NewOrder*TrueFaith-94

Label:

London Records – 857865.2

Format:

CD , Single

Country:

UK

Released:

Genre:

Pop

Style:

Synth-pop

Tracklist

1 TrueFaith-94 (Radio Edit) 4:30
2 TrueFaith-94 (Perfecto Radio Edit)
Producer [Additional Production By], RemixP. Oakenfold & S. Osbourne*
RemixPerfecto
4:06
3 TrueFaith-94 (Perfecto Mix)
Producer [Additional Production By], RemixP. Oakenfold & S. Osbourne*
RemixPerfecto
6:26
4 TrueFaith-94 5:35
5 TrueFaith-94 (The TWA Grim Up North Mix)
Guitar [Additional Guitar By]The Prof
Producer [Additional Production By], RemixTWA
Vocals [Additional Vocals By]Black Expressions
6:11

Companies, etc.

  • Phonographic Copyright ℗London Records 90 Ltd.
  • Copyright ©London Records 90 Ltd.
  • Marketed ByBarclay
  • Marketed ByMetronome Musik GmbH
  • Designed AtThomas Manss & Company
  • Made ByPDO, UK – 10325341

Credits

  • Art DirectionPeter Saville (2)
  • CGI Artist [Digital Imaging By]Martin Orpen
  • Design [Designed By]Howard Wakefield
  • Photography ByTrevor Key
  • Producer [Produced By]Stephen Hague
  • Written-By, Producer [Originally Produced By]Stephen Hague

Notes

Inlay:
Mix5 additional production and remix by TWA - P. Fryer, P. Dillon & N. Raphael.
TrueFaith-94, taken from the forthcoming album, 'The best of NewOrder' CD 8285802, MC 8285804, LP 8285801.

Designed at Thomas Manss & Company.

℗ 1994 London Records 90 Ltd. © 1994 London Records 90 Ltd. The copyright in this sound recording is owned by London Records 90 Ltd. Marketed in by Barclay & in by Metronome Musik GmbH.

Disc:
℗ 1994 London Records 90 Ltd © 1994 London Records 90 Ltd
_
Packaging:
J-card case.
Insert: 4- J-card, color print exterior, no print interior.
CD: black print.
Some copies have a "Made in Great Britain" sticker affixed to the case.

Track durations are not printed on the release.

Barcode and Other Identifiers

  • Barcode (Printed): 0 42285 78652 1
  • Barcode (Scanned): 042285786521
  • Rights Society: BIEM STEMRA
  • Label Code: LC 7654
  • Price Code: BA 940
  • Matrix / Runout: NUOCD5 10325341 01 & MADE IN U.K. BY PDO
  • Mould SID Code (Variant 1): IFPI 0408
  • Mould SID Code (Variant 2): IFPI 0451
  • Mould SID Code (Variant 3): IFPI 0453
  • Mould SID Code (Variant 4): IFPI 0454
  • Mould SID Code (Variant 5): none
  • Mould SID Code (Variant 6): IFPI 0452
  • Mould SID Code (Variant 7): IFPI 0404

Other Versions (5 of 107)

View All
Title (Format) Label Cat# Country Year
True Faith / 1963 (7", 45 RPM, Single) Factory Fac 183/7, Fac 183 UK 1987
True Faith / 1963 (12", 45 RPM, Single) Factory Fac 183 UK 1987
True Faith Remix (12", 45 RPM, Single) Factory Fac 183R UK 1987
True Faith / 1963 (12", 33 ⅓ RPM, Maxi-Single, ARC Pressing) Qwest Records 0 - 20733, 9 20733-0 US 1987
True Faith (CD, Single, Promo) Qwest Records PRO-CD-2899 US 1987

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Reviews

  • Kraftwerker1981's avatar
    Kraftwerker1981
    As a 57 year old, there are some remixers who get it right. Most get it badly wrong. Paul Oakenfold remixes seem to have aged very well. Arthur Baker stands out too
    • djphineart's avatar
      djphineart
      As a working DJ these mixes all stand up to the test of time and on a good club system still rock a crowd. Can fully understand why some dislike the re-rub asa concept but for serious club play its job done. Quite like the TWA mixes time has gone by]
      • mjb's avatar
        mjb
        Edited 19 years ago
        Much like when George Lucas 'cleaned up' Star Wars, this single demonstrates exactly why a producer should never be allowed to go back and 'fix' something that wasn't broken. The original mix of 'True Faith', while being New Order's most radio-friendly pop song to date, was a thick and somewhat sinister (beneath the surface) 5-and-half minute symphony for getting lost in. As released on Substance, it did sport some tape hiss, a few dropouts, one noticeable mastering glitch in the intro, and relatively flat, vinyl-targeted mastering as was common in the early days of CDs. However, years later, it still held up as an exquisitely dressed pop song, almost shoegaze-like with its churning, drum machine-underpinned wall of fuzzy, yet tonal sound. For the 1994 re-release of the single in advance of a 'Best Of' album, original co-producer Stephen Hague brought in Mike 'Spike' Drake to help re-engineer the song. The results were stunning. Not content merely remaster the track, the pair worked hard on all kinds of things: the stereo separation in the chorus effects was reduced, all the other reverb was cut by half or more, the vocals were mixed a little louder and much clearer, sibilants were no longer allowed to leave sustained echo trails, the drums were made slightly more dynamic, and all of the instruments are more distinct -- in other words, the unique dreamy, moody trappings of the original were stripped and tossed in the rubbish bin, leaving behind a naked, unremarkable pop song that would rise to #9 on the (evermore easily-climbed) UK pop chart, nearly eclipsing the original's #4 showing some seven years earlier.

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