Aphex Twin – Windowlicker
Label: |
Warp Records – WAP105CD |
---|---|
Format: |
CD
, EP
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Experimental |
Tracklist
1 | Windowlicker | 6:07 | |
2 | ∆Mᵢ⁻¹=−α ∑ Dᵢ[η][ ∑ Fjᵢ[η−1]+Fextᵢ [η⁻¹]] | 5:47 | |
3 | Nannou | 4:13 |
Companies, etc.
- Phonographic Copyright ℗ – Warp Records Limited
- Copyright © – Warp Records Limited
- Published By – Chrysalis Music Ltd.
- Glass Mastered At – DOCdata UK
Credits
- Design – The Designers Republic
- Photography By [Cover Photography] – Chris Cunningham (2)
- Written-By, Producer [Produced], Engineer [Engineered By] – Richard D James*
Notes
Printed notes:
All tracks... Chrysalis Music.
Warp Records Ltd.
℗ 1999 Warp Records Ltd. © 1999 Warp Records Ltd.
Warp Records logo. Compact Disc logo.
Made in England.
Other note:
Viewing a spectrogram of the second track reveals hidden images of James' face that were apparently synthesized as sound by Aphex Twin for the express purpose of being discovered in this manner.
Running Time: 16:09
All tracks... Chrysalis Music.
Warp Records Ltd.
℗ 1999 Warp Records Ltd. © 1999 Warp Records Ltd.
Warp Records logo. Compact Disc logo.
Made in England.
Other note:
Viewing a spectrogram of the second track reveals hidden images of James' face that were apparently synthesized as sound by Aphex Twin for the express purpose of being discovered in this manner.
Running Time: 16:09
Barcode and Other Identifiers
- Barcode (Text): 5021603105027
- Matrix / Runout (Mirrored): WAP105CD • MASTERED BY DOCDATA π
- Mastering SID Code (Variant 1-5): IFPI LA31
- Mould SID Code (Variant 1): IFPI 7307
- Mould SID Code (Variant 2): IFPI 4B08
- Mould SID Code (Variant 3): IFPI 4B03
- Mould SID Code (Variant 4): ifpi4B02
- Mould SID Code (Variant 5): none
- Label Code: LC02070
Other Versions (5 of 44)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Windowlicker (12", 45 RPM, EP) | Warp Records | WAP105 | UK | 1999 | ||
Recently Edited
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Windowlicker (CD, Single, Enhanced) | Warp Records | WAP105CDR | UK | 1999 | ||
Windowlicker (CD, Single, Enhanced) | Sire | 35007-2 | US | 1999 | |||
Recently Edited
|
Windowlicker (VHS, ) | Warp Records | WAP105V | UK | 1999 | ||
Recently Edited
|
Windowlicker (CD, Maxi-Single, Stereo) | Warp Records | WPCR-10328 | Japan | 1999 |
Recommendations
Reviews
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Can someone help me sort out which pressing HHV just sold me (shrink wrapped), the etched code on the vinyl says "WAP 105 (some sort of symbol) A" and "WAP 105 (another symbol) B" on the other side.
I can't find the code on any of the releases, thanks in advance! -
Okay, so are there any copies of this that are verified as being quality presses? I can't believe the amount of comments here about the poor pressing quality.
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Edited 4 years agoI just have just listened to this through Klilpschorns and well :---- O
https://m.youtube.com/watch?v=av44AaOGakA -
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Edited 8 years agoThe music video should be re-released in DVD/Blu-ray. Please Warp make it happen!
P.S.: I know there's a HQ version from the DVD compilation of Warp music videos, but could they "remaster" it to HD and on their Youtube channel? -
Oddly enough, I didn't really like this single too much, and the video's shock value has worn off as the years have gone by.
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Edited 18 years agoTo me Windowlicker is the BEST electronic single of all time and maybe the best peice of Electronica period. The only thing as good would maybe be his own Girl/Boy single. I can never really describe what this track sounds like to people. And the melodic voices are among the most vibrant, juicy, and original sounding instrumentation i have ever heard. The real reason i love this song so much is the video though, the video is so good and it's been my greatest inspiration from my film-making point of view.
This song and the video go so well together it hurts... It's just beyond my words how the voices mix so well with the bodies squirming around in the Limo. I've never really seen a video like that one and heard a song like this ever. I guess it's just a major touchstone in the world of media for me. Take the single, the video, the marketing of using his face on all the demo and promo covers, and it's just the most ingenious thing I've ever seen. Chris Cunningham and The Aphex Twin seemed to have made one of the greatest collaboration of all time and now that the video and the song are 8 years old, you can see they will stand the test of time.
It just enthralls me in ways I can't describe , it means alot to me in a lot of ways, from inspiration, to the grooveyness, to the comedy, to the intense Wall of bass at the end of the track. it's all like counterfit money though... like candy. The track, the video, the posters it's such a commercial stretch at making Aphex twin a popular figure, it almost seems like it's trying too hard... but then you throw the twisted content into the equation of placing his head on womens bodies and it just blosoms into post-modern madness.
the Song has so many different stages to it. From the deep barotone of Aphex Twins voice splashed with prickling acid in the first 25 seconds to the Surreal porno Medly at the core of the song, to the break beats in the last 3rd topped with all the experimentaion and glitch tastic randomness mixed in. And finally to the Climax(which is so well timed in the video with a burst of a champagne bottle). It encomposses so many different feels and flows and the Video capitalizes on everyone in all of it's 10 minutes and 34 seconds. It's beyond huge it's just epic!
Aphex Twin and Chris Cunningham have changed my life and if I ever go anywhere in the film business, they are the only ones that truley deserve accolade, for they have changed my life. I know this all sounds crazy and obsesive but sometimes there are things in your life that just touch you in certain ways you can't describe. Mine just happens to be Womens bodies with Aphex Twins face on top...
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Edited 20 years agoI'm at a loss to find the explicit content which the parental advisory sticker on the cover warns. perhaps aphex twin's devilishy grinning face super imposed on a buxom beauty's bod is what the warning is about or maybe the link to chris cunningham's video which would have been naughty if it wasn't so downright disturbingly funny.
windowlicker is by far aphex twin's best and most commercial release without compromising any of his skills that makes him such a talented musical genius. sounding like a warped soundtrack to a porno movie, windowlicker writhes and contorts its way to the fuzzy electric guitar climax. the only track worth the cost of the EP! (formula) or (equation) or a bunch of unpronounceable scribble starts of strong but falls short at the end and we hear more nannou style musicbox twinkling to last us a lifetime on drukqs.
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Here's a riddle for the non-french speaking listeners. On time 2'42" of the track "Windowlicker" a woman's voice distinctly says in the right speaker the following sentence: "J'aime faire des craquettes au chien", which is quite puzzling, believe me! For if that sentence was intentionnal, it should mean "I like to do it with dogs", but in very childish words. Another explanation is that the girl who recorded that part spoke with an accent, and that she doesn't say "craquettes" but "croquettes" (which means "biscuits") - it would seem to make more sense: "I like to make biscuits for the dog". Yet, nobody makes biscuits for his dog! The last solution would be that the woman likes to do dog-biscuits (dog flavoured biscuits), which seems to be the most pervert explanation, but all the more plausible!
A kinky song, definitely!
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