Bring Me The HorizonPost Human: Survival Horror

Label:

Columbia – 19439804611-SV1

Series:

Post Human

Format:

Vinyl , 12", 33 ⅓ RPM, EP, Stereo , Recycled

Country:

US

Released:

Genre:

Rock

Style:

Post-Hardcore

Tracklist

A1 Dear Diary,
Musician, Backing Vocals, Programmed By [Programming]Jordan Fish (2)
Musician, Bass GuitarMatthew Kean*
Musician, DrumsMatthew Nicholls (2)
Musician, GuitarLee Malia
Musician, Synth [Additional Synths], Percussion [Additional]Mick Gordon
Musician, VocalsOliver Sykes
Producer [Additional Production]Mick Gordon
Producer, EngineerOliver Sykes
Written-ByOliver Sykes
A2 Parasite Eve
Musician, Backing VocalsToriel
Musician, Backing Vocals, Programmed By [Programming]Jordan Fish (2)
Musician, Bass GuitarMatthew Kean*
Musician, DrumsMatthew Nicholls (2)
Musician, GuitarLee Malia
Musician, Synth [Additional Synths], Percussion [Additional]Mick Gordon
Musician, VocalsOliver Sykes
Producer [Additional Production]Mick Gordon
Producer, EngineerOliver Sykes
Written-ByPetar Lyondev*
A3 Teardrops
Musician, Backing Vocals, Programmed By [Programming]Jordan Fish (2)
Musician, Bass GuitarMatthew Kean*
Musician, DrumsMatthew Nicholls (2)
Musician, GuitarLee Malia
Musician, VocalsOliver Sykes
Producer, EngineerOliver Sykes
Written-ByOliver Sykes
A4 Obey
Featuring [With]Yungblud (3)
Musician, Backing Vocals, Programmed By [Programming]Jordan Fish (2)
Musician, Bass GuitarMatthew Kean*
Musician, DrumsMatthew Nicholls (2)
Musician, GuitarLee Malia
Musician, Synth [Additional Synths], Percussion [Additional]Mick Gordon
Musician, VocalsYungblud (3)
Musician, Vocals [Gang Vocals]Tom Millar
Producer [Additional Production]Mick Gordon
Producer, EngineerOliver Sykes
Recorded By [Drums]Carl Brown (9)
Recorded By [YUNGBLUD Vocals]Zakk Cervini
Written-ByOliver Sykes
B5 Itch For The Cure (When Will We Be Free?)
Musician, Backing Vocals, Programmed By [Programming]Jordan Fish (2)
Musician, Bass GuitarMatthew Kean*
Musician, DrumsMatthew Nicholls (2)
Musician, GuitarLee Malia
Musician, Synth [Additional Synths], Percussion [Additional]Mick Gordon
Musician, VocalsOliver Sykes
Producer [Additional Production]Mick Gordon
Producer, EngineerOliver Sykes
Written-ByOliver Sykes
B6 Kingslayer
FeaturingBabymetal
Musician, Backing Vocals, Programmed By [Programming]Jordan Fish (2)
Musician, Bass GuitarMatthew Kean*
Musician, DrumsMatthew Nicholls (2)
Musician, GuitarLee Malia
Musician, Synth [Additional Synths], Percussion [Additional]Mick Gordon
Musician, VocalsOliver Sykes
Producer [Additional Production]Mick Gordon
Producer, EngineerOliver Sykes
Recorded By [BABYMETAL Vocals], Engineer [BABYMETAL Vocals]Watametal
Written-ByOliver Sykes
B7 1x1
FeaturingNova Twins
Musician, Backing Vocals, Programmed By [Programming]Jordan Fish (2)
Musician, Bass GuitarMatthew Kean*
Musician, Bass [Additional]Georgia South (2)
Musician, DrumsMatthew Nicholls (2)
Musician, GuitarLee Malia
Musician, VocalsOliver Sykes
Producer, EngineerOliver Sykes
Recorded By [Nova Twins Vocals & Bass], Engineer [Nova Twins Vocals & Bass]Ben Beetham
Written-ByOliver Sykes
B8 Ludens
Engineer [Assistant Engineering]Phil Gornell
Engineer [Drums]Dan Lancaster
Engineer [Vocals]Jordan Fish (2)
ProducerOliver Sykes
Written-ByOliver Sykes
B9 One Day The Only Butterflies Left Will Be In Your Chest As You March Towards Your Death
FeaturingAmy Lee
Musician, Backing VocalsJordan Fish (2)
Musician, PianoJordan Fish (2)
Musician, Programmed By [Programming]Jordan Fish (2)
Musician, Synth [Additional Synths], Percussion [Additional]Mick Gordon
Musician, VocalsOliver Sykes
Producer [Additional Production]Mick Gordon
Producer, EngineerOliver Sykes
Written-ByOliver Sykes

Companies, etc.

  • Phonographic Copyright ℗Sony Music Entertainment UK Limited
  • Published ByBMG
  • Published ByEditions Cellier
  • Published ByLocomotion Music Publishing
  • Published ByKobalt
  • Published ByAmuse Inc.
  • Published ByJust Isn't Music
  • Published ByBMG Rights Management Ltd.
  • Published ByProfessor Screweye Publishing
  • Published ByBMG Platinum Songs
  • Published ByBMG Rights Management (US) LLC
  • Recorded AtCaso Do Syko
  • Recorded AtLord House
  • Recorded AtJuxtaposition Records
  • Recorded AtDDM Studios, Sabadell
  • Recorded AtStudio Mobile Fonoprint
  • Engineered AtThe Nostromo, Brisbane, Australia
  • Engineered AtTreehouse Studio
  • Engineered AtMDDN Studios
  • Mixed AtMDDN Studios
  • Mastered AtChris Athens Masters
  • Lacquer Cut AtAlchemy Mastering
  • Pressed ByGZ Media – 216609E

Credits

  • A&RMatt Ash (2)
  • ArtworkAlissic
  • Lacquer Cut ByBazza*
  • Management [Managed By]Matt Ash (2)
  • Mastered ByChris Athens
  • Mixed ByZakk Cervini
  • PerformerYungblud (3) (tracks: A4)

Notes

Pressed on recycled black vinyl.
Housed in a full-colour, double-sided jacket made from recycled materials.

"Where possible each element of the packaging is manufactured using 100% recycled card & printed with vegetable or soya based inks."

* d as brown-based 'eco-blend' vinyl but pressings ended up being black.

© 2021 & ℗ 2020 Sony Music Entertainment UK Limited. / Manufactured and Distributed by Columbia Records, a Division of Sony Music Entertainment / 25 Madison Ave, New York, NY, 10010 / "Columbia" and [Logos] Reg. U.S. Pat. & Tm. Off. Marcas Registradas. / WARNING: All Rights Reserved. Unauthorized duplication is a violation of applicable laws.

Phase One written & recorded remotely from Caso Do Syko, Lord House & Juxtaposition Records 2020.

Managed by Craig Jennings, Matt Ash & Jumana Brinkley Abbas for Raw Power Management.
A&R by Matt Ash & Craig Jennings for Raw Power Management.

"Dear Diary"
Published by BMG.
Recorded at Casa do Syko, UK.
Additional production engineered at The Nostromo, Brisbane, Australia.

"Parasite Eve"
Published by BMG; Cellier Editions.
Recorded at Casa do Syko, UK.
Additional production engineered at The Nostromo, Brisbane, Australia.

Parasite Eve contains a sample of Erghen Diado. Written by Petar Lyondev and published by Cellier Editions. Used by permission. All rights reserved.
Parasite Eve contains a sample from "Erghen Diado" from the album "Le Mystère des Voix Bulgares Vol.1" performed by the Bulgarian Female Vocal Choir.
(P) 1989 Disques Cellier Courtesy of Disques Cellier, 4AD Limited and Universal Music . Used with permission.

"Teardrops"
Published by BMG.
Recorded at Casa do Syko, UK.

"Obey With YUNGBLUD"
Published by BMG; BMG; Locomotion Music Publishing (BMI) / Kobalt.
Recorded at Casa do Syko.
Drums engineered at Treehouse Studio, UK.
YUNGBLUD vocals engineered at MDDN Studios, Los Angeles, CA.
Additional production engineered at The Nostromo, Brisbane, Australia.
YUNGBLUD appears courtesy of Locomotion Recordings/Interscope Records.

"Itch For The Cure (When Will We Be Free?)"
Published by BMG.
Recorded at Casa do Syko, UK.
Additional production engineered at The Nostromo, Brisbane, Australia.

"Kingslayer (Ft. BABYMETAL)"
Published by BMG; AMUSE INC.
Recorded at Casa do Syko UK.
BABYMETAL vocals recorded in Tokyo, Japan.
Additional production engineered at The Nostromo, Brisbane, Australia.
BABYMETAL appear courtesy of Amuse and Cooking Vinyl.

"IXI (Ft. Nova Twins)"
Published by BMG; Just Isn't Music (Worldwide ex. Europe)/BMG Rights Management ltd (Europe).
Recorded at Casa do Syko, UK.
Nova Twins vocals and bass recorded at DDM Studios, Hastings, UK.

"Ludens"
Published by BMG.
Recorded at Fonoprint Studios, Bologna, Italy.

"One Day The Only Butterflies Left Will Be In Your Chest As You March Towards Your Death (Ft. Amy Lee)"
Published by BMG; Professor Screweye Publishing (BMI)/BMG Platinum Songs (BMI), All Rights istered by BMG Rights Management (US) LLC Used by Permission. All rights reserved.
Recorded at Casa do Syko UK.
Amy Lee vocals recorded in Nashville, TN.
Additional production engineered at The Nostromo, Brisbane, Australia.

Barcode and Other Identifiers

  • Barcode (Printed & Scanned): 1 94398 04611 2
  • Matrix / Runout (Etched; Side A): #7 19439804611-A1 BAZZA ALCHEMY
  • Matrix / Runout (Stamped; Side A): 216609E1/A
  • Matrix / Runout (Etched; Side B): #7 19439804611-B1
  • Matrix / Runout (Stamped; Side B): 216609E2/A
  • Rights Society: BMI

Other Versions (5 of 15)

View All
Title (Format) Label Cat# Country Year
Post Human: Survival Horror (9×File, MP3, EP, 320 kbps) RCA 19439804611, none 2020
New Submission
Post Human: Survival Horror (9×File, FLAC, EP, 16-Bit / 44.1 kHz) RCA 19439804611, none 2020
New Submission
Post Human: Survival Horror (9×File, ALAC, EP, 16-Bit / 44.1 kHz) RCA 19439804611, none 2020
New Submission
Post Human: Survival Horror (Cassette, EP, Black) RCA 19439804614, none Europe 2020
New Submission
Post Human: Survival Horror (Cassette, EP, Blue) RCA 19439804614, none UK & Europe 2020

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Reviews

  • dino1828's avatar
    dino1828
    Yea have digital version and this pressing is pretty flat base lacking badly. Other than that, very clean pressing no clicks or pops. Still glad to own it damn good album.
    • coryhyman's avatar
      coryhyman
      Edited 6 months ago
      I found a copy used for $14 and that was a price point I was comfortable with on this album. It seems as if the majority of the newer BMTH vinyl pressings are just serviceable, which is a shame, considering how industrial friendly their sound has become over the years.

      Punchy, yes. Dynamic, only in some songs. Flat, not necessarily. I’d give it 3 stars, but for one of those dreaded “recycled material” pressings, which I think impacts the overall quality (think RCA Dynaflex) which is evidenced in the newest Billie Eilish, it’s just good enough.
      • arthurmikheev's avatar
        arthurmikheev
        This one sounds soooooo compressed. Love this album but sound quality of this exact edition is bad/ 3 of 5.
        • Spookypumpkin's avatar
          Spookypumpkin
          Ok I’ll give it this, this thing is REALLY punchy. I really feel these songs on vinyl like never before, however the audio itself sounds really digital and low quality, but to me that kind of adds to this EP haha
          • Nimonee's avatar
            Nimonee
            Sounds okay, but could better. Not recommended to listen loudly but sad thing is that bmth creating music to listen it loud
            • neverve's avatar
              neverve
              This is not as bad as people have been saying. Sounds perfectly fine on my setup.
              • MotionlessFlame's avatar
                MotionlessFlame
                Does this pressing really sound that bad? Is the UK one any better or is it still the same?
                • karevamp's avatar
                  karevamp
                  Sound quality is bad. Just a sad case of “copy and paste” here and it didn’t translate well in vinyl. Seems like they made no effort in presentation and quality of vinyl sleeve isn’t that grand either. For the hype and price I expected a bit more than what I got.
                  • eliegjoly's avatar
                    eliegjoly
                    I just have a question for the people complaining about the vinyl color. What are you collecting ? Music or plastic ? This is cringe really. The band thought it cas going to be grey it can happen. If you guys can’t stand having a black vinyl stop collecting records
                    • boristourne's avatar
                      boristourne
                      Edited 4 years ago
                      Ne cherchez pas, on s'est tous fait avoir si on a commandé la version "grey"..... J'ai payé £22 + £11,34 de frais de port pour un vinyle que j'aurais pu trouver pour beaucoup moins cher chez mon disquaire indépendant.... Comme certains ont dit, très bonne technique commerciale.... C'est tout, ça paiera les tatouages du "chanteur"....

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                      • Avg Rating:4.49 / 5
                      • Ratings:194
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