M.N.O.God Of Abraham

Label:

Trance Mission – TM 003

Format:

Vinyl , 12", 45 RPM, Stereo

Country:

Belgium

Released:

Genre:

Electronic

Style:

Techno

Tracklist

Other Side
A God Of Abraham 4:15
This Side
AA God Of Abraham (Rave Mix) 4:30

Companies, etc.

  • Distributed ByMusic Man (2)
  • Published ByBE'S Songs
  • Lacquer Cut AtFoon

Credits

  • ArtworkG□raphic*
  • Photography By [Photo]P. Barry (2)
  • ProducerKhan*
  • Songwriter [Song By]Somora

Notes

Made in Belgium

Printed durations: 5:20 / 5:25
Track durations are corrected.

Barcode and Other Identifiers

  • Barcode (Text): 5 413443 040338
  • Label Code: LC 6971
  • Rights Society: SABAM
  • Matrix / Runout (Runout side A): TM 003-A1 FOON MASTERING
  • Matrix / Runout (Runout side B): TM 003-AA1

Other Versions (5 of 9)

View All
Title (Format) Label Cat# Country Year
Recently Edited
God Of Abraham (7", 45 RPM, Single) Trance Mission TM 003-7 Belgium 1991
Recently Edited
God Of Abraham (Rave Mix) (12", 45 RPM) A&M Records AMY 820, 390 820-1 (Int'l) UK & Europe 1991
Recently Edited
God Of Abraham (CD, Single) Trance Mission TM 003-CDS Belgium 1991
Recently Edited
God Of Abraham (Remix) (12", 33 ⅓ RPM) Trance Mission TM 003-R, TM 003 R Belgium 1991
Recently Edited
God Of Abraham (12", 45 RPM, Promo) A&M Records AMYDJ 820 UK 1991

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Reviews

  • Johnmarcus's avatar
    Johnmarcus
    Big Belgium Techno belter, huge tough dirty synths and a driving rhythm, huge track back in its day.
    • cashox's avatar
      cashox
      used to have so many of these early rave singles - brings back so many memories hearing them again - thank god for youtube !! :)
      • d-high's avatar
        d-high
        Absolute classic from the beginning of the Dutch/Belgium hardcore times, building up on the T99 - Anastasia sound-a-like. Simply a hands in the air banger though I preferred the Rave Mix way over the original due to the extra energy it would give to the dancefloor and the rougher approach.
        • ispace's avatar
          ispace
          Although it sounds dated these days, the original version of this track was pioneering in the first wave of Belgian/Dutch "vocal sample/synth sample" school. I still listening to it at Disco City here in Sydney in 1991 (in Pitt Street in those days, but long closed) & being blown away by the power & energy of the track. Highly recommended, if only for a historical perspective.

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