Moritz von Oswald – ReComposed By Carl Craig & Moritz von Oswald (Music By Maurice Ravel & Modest Mussorgsky)
Label: |
Deutsche Grammophon – 00289 4766912 8 |
---|---|
Series: |
Recomposed |
Format: |
CD
, Album
|
Country: |
Europe |
Released: |
|
Genre: |
Electronic |
Style: |
Ambient |
Tracklist
1 | Intro | 6:23 | |
2 | Movement 1 | 2:26 | |
3 | Movement 2 | 7:30 | |
4 | Movement 3 | 8:34 | |
5 | Movement 4 | 8:06 | |
6 | Interlude | 4:09 | |
7 | Movement 5 | 12:56 | |
8 | Movement 6 | 14:12 |
Companies, etc.
- Phonographic Copyright ℗ – Universal Music Classics & Jazz
- Copyright © – Universal Music Classics & Jazz
- Recorded At – Berliner Philharmonie
- Mastered At – Eastside Mastering Studios
- Published By – Planet E Communications, Inc.
- Published By – Oswald Music
- Made By – EDC, – 52196768
Credits
- Concept By – Moritz von Oswald
- Design – Will Bankhead
- Engineer [Detroit] – Collin Dupuis
- Executive-Producer – Kleopatra Sofroniou
- Liner Notes – Thomas Meinecke
- Liner Notes [English Translation] – Angela Schumacher
- Mastered By – Götz-Michael Rieth
- Music By – Modest Mussorgsky
- Performer [Original Recordings By], Conductor – Herbert von Karajan
- Performer [Original Recordings By], Orchestra – Berliner Philharmoniker
- Photography By [Artists] – Erik Weiss
- Photography By [Cover, Page 3] – Marco Rothenburger
Notes
Original Music by Maurice Ravel: Bolero, Rapsodie espagnole.
Modest Mussorgsky: Pictures at an Exhibition.
Recorded by Berliner Philharmoniker, Herbert von Karajan (original recordings).
Berlin, Philharmonie, 12/1985 (Bolero); 2/1986 (Pictures); 2/1987 (Rapsodie)
"Deutsche Grammophon Gesellschaft" logo used on cover and CD label.
Publishers Recomposed
Planet E Communications ASCAP
OSWALD MUSIC
℗&© 2008 Universal Music Classics & Jazz, a division of Universal Music GmbH.
Released in a gatefold card sleeve with an inner card sleeve for the CD. Includes a booklet in English & German.
Total time: 64:18
Modest Mussorgsky: Pictures at an Exhibition.
Recorded by Berliner Philharmoniker, Herbert von Karajan (original recordings).
Berlin, Philharmonie, 12/1985 (Bolero); 2/1986 (Pictures); 2/1987 (Rapsodie)
"Deutsche Grammophon Gesellschaft" logo used on cover and CD label.
Publishers Recomposed
Planet E Communications ASCAP
OSWALD MUSIC
℗&© 2008 Universal Music Classics & Jazz, a division of Universal Music GmbH.
Released in a gatefold card sleeve with an inner card sleeve for the CD. Includes a booklet in English & German.
Total time: 64:18
Barcode and Other Identifiers
- Barcode: 028947669128
- Rights Society: BIEM/SABAM
- Rights Society: ASCAP
- Label Code: LC 0173
- SPARS Code: DDD
- Matrix / Runout (Variants 1 to 3): [4xUniversal logo] 00289 476 691-2 01 + 52196768
- Matrix / Runout (Variant 3, mould area): B
- Matrix / Runout (Variant 4): [4xUniversal logo] 00289 476 691-2 02 * 52196768 MADE IN BY EDC B
- Mastering SID Code (Variants 1 to 3): IFPI LV27
- Mastering SID Code (Variant 4): IFPI LV26
- Mould SID Code (Variant 1): IFPI 0117
- Mould SID Code (Variant 2): IFPI 0138
- Mould SID Code (Variant 3): IFPI 0150
- Mould SID Code (Variant 4): IFPI 0157
Other Versions (4)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
ReComposed (2×LP, Album, 200g) | Universal Music Group | 476 691 3, 476 6913 | Europe | 2008 | ||
Recently Edited
|
ReComposed (2×CD, Album) | Deutsche Grammophon | 476 6912, UCCH-1024/5 | Japan | 2008 | ||
New Submission
|
ReComposed (CD, Album, Promo) | Deutsche Grammophon | 476 6912 | Europe | 2008 | ||
New Submission
|
ReComposed (8×File, MP3, Album, VBR) | Deutsche Grammophon | none | Europe | 2008 |
Recommendations
Reviews
-
Most definitely one of the most touching and well executed albums I've heard in recent years. This one really has it all: it's reinterpretation as much as it's innovation, as much as the music gets recomposed, it also gets reconstructed from scratch. I have listened to other releases where electronic and classical music come together, but the studio chemistry Moritz Von Oswald and Carl Craig have must exceed them all!
At places, this even reminds me of Steve Reich's "Music for 18 musicians", because of the way various instruments get added to already existing arrangements, only to get ed by new sound patterns futher ahead. The first beat is actually dropped quite deep into the album, but by that time you'll hardly notice the subtle dubby percussion, as the prchestra has by then already built such a fine hypnotic soundscape, you won't mind the drums at all.
After a while the composition becomes more electronic and dub techno orientated, as opposed to the classical music ouverture, but it's the breathtakingly imperceptible transition from the mesmerizing harmonic and organic instruments towards the deep and spacey techno for the living rooms that is flawless. It's as though Ravel's original idea was to include ages of techno music in his work, but he knew no one who could have pulled it off.
About forty minutes deep, things go absolutely mad, when a dubby 4x4 beat gets dropped over an eerie, suspense loaded Danny Elfman like symphony, and the outcome is sweet.
Superb electronic go hand in hand with live classical instruments like few times before. The albums ends on a superb hypnotic note, just like it started. A looped violin part is played over some tribalish hand drums and those rattle snake effect instruments (I can't what they are called at the moment).
Bottom line is: if you like either Carl Craig's soulful and melodic Detroit techno sound, or the deep and floating dubbed out wizardry of mr. Von Oswald, you really cannot go wrong here. Ravel's symphony literary draws the best these two have to offer. Modern classical music with a soulful electronic music twist. A superb release, and my opinion is that time will prove it even greater! -
I really enjoyed this record. The combination of Bolero and the trumpet part from the Samuel Goldenburg and Schumuyle movement in Ravel's orchestration of Pictures at an Exhibition completely blew my mind. As a lover of both Basic Channel and classical music this record does a great job of satisfying both tastes. I would strongly recommend repeated listens to Pictures, both the original for piano and the orchestrated version, to fully appreciate this work.
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