Tracklist
| A1 | I No | 5:46 | |
| A2 | Alphabet St. | 5:39 | |
| A3 | Glam Slam | 5:04 | |
| A4 | Anna Stesia | 4:58 | |
| B1 | Dance On | 3:44 | |
| B2 | Lovesexy | 5:47 | |
| B3 | When 2 R In Love | 4:01 | |
| B4 | I Wish U Heaven | 2:03 | |
| B5 | Positivity | 7:17 |
Companies, etc.
- Record Company – Warner Communications
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – Paisley Park Records Inc.
- Copyright © – WEA International Inc.
- Copyright © – Controversy Music
- Copyright © – Paisley Park Records
- Published By – Controversy Music
- Recorded At – Paisley Park Studios
- Mixed At – Paisley Park Studios
- Mastered At – Bernie Grundman Mastering
- Mastered At – Allied Record Company
- Mastered At – Sheffield Lab Matrix – △ 20314
- Pressed By – Record Service Alsdorf
- Manufactured By – Record Service GmbH
- Made By – WEA Musik GmbH
- Manufactured By – Warner Bros. Records Inc.
- Distributed By – Warner Bros. Records Inc.
Credits
- Bass, Vocals [Vocal] – Levi Seacer Jr.
- Brass, Vocals [Vocal] – Eric Leeds
- Computer [Computer Keyboards], Keyboards [Computer Keyboards] – Dr. Fink
- Drums, Percussion, Vocals – Sheila E*
- Guitar, Vocals [Vocal] – Miko*
- Performer [The Spirit Child On Various Songs] – Ingrid*
- Performer [Whatever] – Prince
- Photography By [Cover Photo] – Jean Baptiste Mondino*
- Recorded By, Mixed By – Prince
- Vocals [Vocal] – Cat*
- Vocals [Vocal], Electric Organ [Hammond Organ] – Boni Boyer
Notes
Title sticker on shrink:
925-720-1
Spine:
UK: WX 164 925 720-1
Barcode sticker on cover, back:
© 1988 Paisley Park Records Inc for the U.S. & WEA International Inc for the world outside of the U S ℗ 1988 Warner Bros Records Inc for the US & WEA International Inc for the world outside of the U S. Manufactured in by Record Service GmbH, Alsdorf - Pressé en Allemagne par Record Service GmbH, Alsdorf [Warner 'W' logo] A Warner Communications Company
UK: WX 164 · 925 720-1 Ⓤ
: WE 381
Embossed [Warner Music "W" logo] on the lower right corner.
Dust sleeve:
Lyrics to each song
© 1988 Controversy Music ASCAP
Personnel credits [without composer credits]
925720-1 © 1988 Paisley Park Records for the U.S.
Special gratitude 2 Alan Leeds, Karen Krattinger, Gilbert Davison, Robbie Paster, Duane Nelson, Earl Jones, Paul Gobel, Laura LiPuma, Margo Chase, Matt Larson, Brad Marsh & Joel Bernstein 4 unconditional .
”All love & thanks 2 God" - Prince '88
Labels:
925 720-1
WX 164
[Tracklist without track durations]
Songs are in a continuous sequence.
All songs published by Controversy Music ASCAP. [without credits to Prince - see below for a similar edition]
℗ 1988 Warner Bros. Records Inc. for the U.S. & WEA International Inc. for the world outside of the U.S.
Made in by WEA Musik GmbH
Side A, label:
Total Timing: 21:29
Side B, label:
Total Timing: 23:32
Matrix/Runouts:
"R / S Alsdorf 925720-1" and the [Allied 'ɑ' logo] are machine stamped, all other codes, digits or letters are etched.
Similar editions:
Lovesexy (labels without 'G.B. only' publisher credits) [this release]
Lovesexy: (labels with 'G.B. only' publisher credits & additional credits to Prince)
Remarks:
Alsdorf used the US mothers, galvanized by Sheffield Lab Matrix for Allied Record Company which can be identified by the appearance of a long etched string including "△ 20314" and the [Allied 'ɑ' logo]-stamp.
Due to a manufacturing variation (different compositions & quality of the feedstock) some copies may appear dark translucent brown when held against a light source.
925-720-1
Spine:
UK: WX 164 925 720-1
Barcode sticker on cover, back:
© 1988 Paisley Park Records Inc for the U.S. & WEA International Inc for the world outside of the U S ℗ 1988 Warner Bros Records Inc for the US & WEA International Inc for the world outside of the U S. Manufactured in by Record Service GmbH, Alsdorf - Pressé en Allemagne par Record Service GmbH, Alsdorf [Warner 'W' logo] A Warner Communications Company
UK: WX 164 · 925 720-1 Ⓤ
: WE 381
Embossed [Warner Music "W" logo] on the lower right corner.
Dust sleeve:
Lyrics to each song
© 1988 Controversy Music ASCAP
Personnel credits [without composer credits]
925720-1 © 1988 Paisley Park Records for the U.S.
Special gratitude 2 Alan Leeds, Karen Krattinger, Gilbert Davison, Robbie Paster, Duane Nelson, Earl Jones, Paul Gobel, Laura LiPuma, Margo Chase, Matt Larson, Brad Marsh & Joel Bernstein 4 unconditional .
”All love & thanks 2 God" - Prince '88
Labels:
925 720-1
WX 164
[Tracklist without track durations]
Songs are in a continuous sequence.
All songs published by Controversy Music ASCAP. [without credits to Prince - see below for a similar edition]
℗ 1988 Warner Bros. Records Inc. for the U.S. & WEA International Inc. for the world outside of the U.S.
Made in by WEA Musik GmbH
Side A, label:
Total Timing: 21:29
Side B, label:
Total Timing: 23:32
Matrix/Runouts:
"R / S Alsdorf 925720-1" and the [Allied 'ɑ' logo] are machine stamped, all other codes, digits or letters are etched.
Similar editions:
Lovesexy (labels without 'G.B. only' publisher credits) [this release]
Lovesexy: (labels with 'G.B. only' publisher credits & additional credits to Prince)
Remarks:
Alsdorf used the US mothers, galvanized by Sheffield Lab Matrix for Allied Record Company which can be identified by the appearance of a long etched string including "△ 20314" and the [Allied 'ɑ' logo]-stamp.
Due to a manufacturing variation (different compositions & quality of the feedstock) some copies may appear dark translucent brown when held against a light source.
Barcode and Other Identifiers
- Barcode (Barcode sticker, text): 0 7599-25720-1 9
- Barcode (Barcode sticker, scanned): 075992572019
- Label Code: LC 0392
- Price Code (Barcode sticker): Ⓤ
- Price Code (Barcode sticker, ): WE 381
- Other (Back cover, embossed non-ink stamp ): [Warner Music "W" logo]
- Rights Society: ASCAP
- Rights Society (Labels): GEMA/BIEM
- Matrix / Runout (Side A runout, variant 1): R / S Alsdorf 925720-1-A9 <T> H
- Matrix / Runout (Side B runout, variant 1): R / S Alsdorf 925720-1-B2 <T> 1-25720-B INTL-2 [Allied 'ɑ' logo] △ 20314-X I-I
- Matrix / Runout (Side A runout, variant 2): R / S Alsdorf 925720-1-A9 7x < T̷ > H
- Matrix / Runout (Side B runout, variant 2): R / S Alsdorf 925720-1-B 1-25720-B INTL-2 [Allied 'ɑ' logo] △ 20314-X I-I 22
- Matrix / Runout (Side A runout, variant 3): R / S Alsdorf 925720-1-A9 H <T>
- Matrix / Runout (Side B runout, variant 3): <R/S Alsdorf 925720-1-B2 > T 1-25720-B-INTL. - 2 [ARC logo] △ 20314-X I-I
- Matrix / Runout (Side A runout, variant 4): R / S Alsdorf 9̷9̷2̷925720-1-A12 2Y 4
- Matrix / Runout (Side B runout, variant 4): R / S Alsdorf 925720-1-B 1-25720-B-INTL-I [Allied 'ɑ' logo] B-20314-X I-I
- Matrix / Runout (Side A runout, variant 5): R / S Alsdorf 925720-1-A9 26 H
- Matrix / Runout (Side B runout, variant 5): R / S Alsdorf 925720-1-B2 6X 1-25720-B INTL-2 [Allied 'ɑ' logo] △ 20314-X I-I
- Matrix / Runout (Side A runout, variant 6): R / S Alsdorf 925720-1-A9 XXX 29 H
- Matrix / Runout (Side B runout, variant 6): R / S Alsdorf 925720-1-B 1-25720-B-INTL-I [Allied 'ɑ' logo] B-20314-X I-I 24
- Matrix / Runout (Side A runout, variant 7): R / S Alsdorf 925720-1-A9 X 29 H
- Matrix / Runout (Side B runout, variant 7): R / S Alsdorf 925720-1-B2 X1-25720-B INTL-2 [Allied 'ɑ' logo] △ 20314-X I-I 9
- Matrix / Runout (Side A runout, variant 8): R/S Alsdorf 925720-1-A9 x 23 H
- Matrix / Runout (Side B runout, variant 8): R / S Alsdorf 925720-1-B2 XX 1-25720-B INTL-2 [Allied 'ɑ' logo] △ 20314-X I-I 12
Other Versions (5 of 124)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Lovesexy (CD, Album) | Paisley Park | 9 25720-2 | US | 1988 | |||
|
Recently Edited
|
Lovesexy (LP, Album, Stereo, Specialty Records Corporation Pressing) | Paisley Park | 9 25720-1, 1-25720 | US | 1988 | ||
|
Recently Edited
|
Lovesexy (LP, Album) | Paisley Park | 25720.1, 25720-1, 1-25720 | Australia | 1988 | ||
|
Recently Edited
|
Lovesexy (Cassette, Album, AR, Dolby HX Pro, B NR) | Paisley Park | 9 25720-4, 4-25720 | US | 1988 | ||
|
New Submission
|
Lovesexy (LP, Album, Stereo) | Paisley Park | 92 5720-1 | Italy | 1988 |
Recommendations
Reviews
-
One of the best sounding records in my collection .. exceptional! Such a fine pressing, bought this week but still perfect.
-
-
The soundstage on this is wild! It’s generally EXTREMELY focused in the center, so it’s pretty epic when it expands to the extreme left or right side. When I first started it, I felt like I had added a center speaker that I had forgotten about. I don’t have anything to compare it to, but very thrilled with the sound of this album!
-
I have this release, but the pictures of the labels(labels with 'G.B. only' publisher credits) do not match the notes on the labels(labels without 'G.B. only' publisher credits). Can anybody fix this? -
Edited 3 years agoIch habe eine in Deutschland hergestellte Version, bei der auf den Labels keine "Rights Society"-Angabe vorhanden ist. Ich kann Diese auf den hier veröffentlichen Versionen nicht finden. Habe ich etwas übersehen? Der Sticker auf der Rückseite des Covers wurde rechts oben geklebt. -
Edited 18 years ago'All love and thanks to God!', said Prince on the back of this album's credits. Whether 'God' or something else, Prince's twisted funk music always touched anyone's g-spot, some being irritated by endless ecclecticism of his or simply for it is truly fascinating - the effect 'Lovesexy' has is a fair share of orgasmic chills; bizzare 'continuous sequence' in which funk, exoticism and of course - sex - make its powerful mad drive; of course if it were stripped down to basics, who knows - 'Lovesexy' could have ended up as one of Prince's later-on failures ('Graffiti Bridge' onwards...); but despite such inappropriate, later cuts (change of style, name, religious beliefs, too much everything over the top, etc) Prince remains as careful a rock-person.
'Lovesexy' is probably one of his finest moments if not the finest alone - rich, sometimes classical arrangements ('I Wish You Heaven', beautiful 'Anna-Stesia'), screaming with computer and human percussion ('I No', 'Alphabet St.', phenomenal 'Dance On'), Hendrix-esque guitars ('Lovesexy', 'Glam Slam' which rivals the guitar in brutal keyboard runs at the end) or perverse tape-looping, it is quite questionable if 'God' offers such pleasures up there - music to feel truly naked by (hence the cover)... provocative and insane.
Release
See all versions
Data Correct
Data Correct
For sale on Discogs
Sell a copy
322 copies from $3.37