Tracklist
A1 | Algorithm | |
A2 | The Dark Side | |
A3 | Pressure | |
A4 | Propaganda | |
A5 | Break It To Me | |
A6 | Something Human | |
B1 | Thought Contagion | |
B2 | Get Up And Fight | |
B3 | Blockades | |
B4 | Dig Down | |
B5 | The Void |
Companies, etc.
- Phonographic Copyright ℗ – Muse (4)
- Copyright © – Muse (4)
- Licensed To – Warner Music UK Ltd.
- Copyright © – WB Music Corp.
- Copyright © – Globalist Industries LLP
- Copyright © – Warner/Chappell Music Publishing Ltd.
- Published By – WB Music Corp.
- Published By – Warner Chappell Music Ltd.
- Copyright © – Ole Red Cape Songs
- Copyright © – VB Rising Publishing
- Published By – Ole
- Published By – Fede Vindver Publishing
- Published By – Warner/Chappell
- Published By – Angel Lopez
- Published By – Bluestone Publishing
- Published By – Jose A Velazquez Music
- Copyright © – Jose A Velazquez Music
- Produced For – MXM Productions
- Copyright © – MXM
- Published By – Kobalt
- Mixed At – Mixsuite LA
- Mixed At – Neon Lights Studios
- Mixed At – Hansa Mix Room
- Mastered At – Sterling Sound
- Mastered At – Capitol Mastering
- Lacquer Cut At – Capitol Mastering
- Pressed By – Optimal Media GmbH – BI40878
Credits
- Art Direction, Design [Package Design] – Muse
- Artwork, Coordinator [Art Production Coordinator] – Keith Cathcart
- Coordinator [Mastering Coordination By] – Tommaso Colliva
- Illustration [Back Cover Illustration], Painting – Kyle Lambert (3)
- Illustration [Cover Illustration] – Paul Shipper (2)
- Lacquer Cut By – IS*
- Layout – Alex Tenta
- Mastered By [Album Mastered By] – Randy Merrill
- Mastered By [Vinyl Mastered By] – Ian Sefchick
- Music By, Lyrics By – Matthew Bellamy
- Performer [Performed By] – Muse
- Photography By [Additional Photography] – Patrick Mheron
Notes
A1: Mixed at Neon Lights, Santa Monica, CA.
A2: Mixed at The Mixsuite LA, CA.
A4: Mixed at The Mixsuite LA, CA. © 2018 Ole Red Cape Songs (ASCAP) / VB Rising Publishing (ASCAP) istered by Ole, Fede Vindver Publishing, Warner Chappell (SESAC), Angel Lopez Bluestone Publishing Jose A. Velazquez © 2018 Ole Red Cape Songs (ASCAP) / Jose A. Velazquez Music (ASCAP)
A5: Mixed at Neon Lights, Santa Monica, CA.
A6: Mixed at The Mixsuite LA, CA.
B2: Mixed at Hansa Mix Room, Berlin. © 2018 MXM (. by Kobalt) (ASCAP)
B4: Mixed at The Mixsuite LA, CA.
B5: Mixed at Neon Lights, Santa Monica, CA.
Music and lyrics © 2017 WB Music Corp. (ASCAP) and Globalist Industries LLP (PRS) and Warner/Chappell Music Publishing Ltd (PRS). All rights istered by WB Music Corp for US/Canada and Warner Chappell Music Limited for the rest of the world except Propaganda and Get Up and Fight / Album Mastered [at] Sterling Sound / Vinyl Mastered [at] Capitol Mastering
© & ℗ 2018 Muse under exclusive licence to Warner Music UK Limited, a Warner Music Group Company, with the exception of track 10 ℗ 2017 Muse under exclusive licence to Warner Music UK Limited. (...) Made in the E.U.
Side A marked as "Alpha" on the rear sleeve and label.
Side B marked as "Beta" on the rear sleeve and label.
A2: Mixed at The Mixsuite LA, CA.
A4: Mixed at The Mixsuite LA, CA. © 2018 Ole Red Cape Songs (ASCAP) / VB Rising Publishing (ASCAP) istered by Ole, Fede Vindver Publishing, Warner Chappell (SESAC), Angel Lopez Bluestone Publishing Jose A. Velazquez © 2018 Ole Red Cape Songs (ASCAP) / Jose A. Velazquez Music (ASCAP)
A5: Mixed at Neon Lights, Santa Monica, CA.
A6: Mixed at The Mixsuite LA, CA.
B2: Mixed at Hansa Mix Room, Berlin. © 2018 MXM (. by Kobalt) (ASCAP)
B4: Mixed at The Mixsuite LA, CA.
B5: Mixed at Neon Lights, Santa Monica, CA.
Music and lyrics © 2017 WB Music Corp. (ASCAP) and Globalist Industries LLP (PRS) and Warner/Chappell Music Publishing Ltd (PRS). All rights istered by WB Music Corp for US/Canada and Warner Chappell Music Limited for the rest of the world except Propaganda and Get Up and Fight / Album Mastered [at] Sterling Sound / Vinyl Mastered [at] Capitol Mastering
© & ℗ 2018 Muse under exclusive licence to Warner Music UK Limited, a Warner Music Group Company, with the exception of track 10 ℗ 2017 Muse under exclusive licence to Warner Music UK Limited. (...) Made in the E.U.
Side A marked as "Alpha" on the rear sleeve and label.
Side B marked as "Beta" on the rear sleeve and label.
Barcode and Other Identifiers
- Barcode (UPC-A, scanned): 0190295578831
- Barcode (UPC-A, text): 0 190295 578831
- Label Code: LC14666
- Rights Society: GEMA/MS
- Matrix / Runout (Side A - Etched, variant 1): 0190295578831-A AIT IS BI 40878-01 A1
- Matrix / Runout (Side B - Etched, variant 1): 0190295578831-B IS BI 40878-01 B1 AIT
- Matrix / Runout (Sides A & B - Stamped): Mastered by Capitol
- Barcode (Scanned): 190295578831
- Matrix / Runout (Side A - Etched, variant 2 [1|△ mirrored]): 0190295578831-A IS BI 40878-01 A1 1|△
- Matrix / Runout (Side B - Etched, variant 2 [1|X mirrored]): 0190295578831-B IS BI 40878-01 B1 1|X
Other Versions (5 of 27)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Simulation Theory (CD, Album, Deluxe Edition) | Helium 3 | 0190295578848 | USA & Europe | 2018 | ||
Recently Edited
|
Simulation Theory (2×LP, Album, Clear, CD, Album, CD, , Bonus Disc, Box Set, Deluxe Edition) | Helium 3 | 0190295578824 | UK & Europe | 2018 | ||
Simulation Theory (CD, Album) | Helium 3 | 0190295578855 | Europe | 2018 | |||
Recently Edited
|
Simulation Theory (CD, Album, Deluxe Edition, Gatefold Paper Sleeve) | Warner Bros. Records | WPCR-18124 | Japan | 2018 | ||
New Submission
|
Simulation Theory (CD, Album) | Warner Bros. Records | WPCR-18125 | Japan | 2018 |
Recommendations
Reviews
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I’d give my copy an 8/10. It sounds pretty darn good aside from some background noise here and there. It also has some light handling wear but that’s cause I bought my copy used in very good condition. For 18 bucks though I can’t complain!
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It may not be their best album (even though I REALLY enjoy it), but holy crap, does this record sound amazing. I've played loud and soft and there's no background noise anywhere. All frequencies are perfectly enjoyable.
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This is the second Muse album I genuinely love from start to finish. The other one is The Resistance. I think people who are negative about this album are extremely subjective and while frankly they have all the right to be, I however like looking at albums in isolation rather than comparing them to others a band released in the past. I find myself enjoying music much more like that. This album I think will fit well into a lot of people's collection, both new and old fans of Muse.
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Hah some synthwave band called Simulation Theory have released an album called Muse. No hang,,, This IS Muse? Are they cashing in or trolling?
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Very nice songs for people that are not into Muse as the big fans are (Like me). Good sound of the vinyl and amazing album cover.
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Not a fantastic pressing but its perfectly fine. As for the album itself, I really liked this. There are some synthwave washed new Muse classics, like the opener Algorithm, Blockades, and the Void. But this is without a doubt their 'safest' release. But in this case, safest is not bad.
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Muse worst effort so far...no Heavy guitars, horrible drum(?)sounds and overproduced songs that goes in one ear and out the other… I thought that "The 2nd law" was a bit pop-ish but it still had a few good songs and sounds. But this one has absolutely nothing. Please go back to the beginning again. It's great to experiment sometimes but this feels more like an album filled with personal problems...sorry.
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Just did a DR analysis of the pressing. While it's nothing groundbreaking it's definitely an improvement from the muddy CD
http://dr.loudness-war.info/album/view/154498
Release
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135 copies from $13.64