Various – 3, 6, 9: The Trinity Alignment
Label: |
Light Sounds Dark – LSD025 |
---|---|
Format: |
Vinyl
, LP, Compilation, Unofficial Release
Vinyl
, LP, Single Sided, Compilation, Unofficial Release
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Dark Ambient |
Tracklist
3: Ascension | |||
A1 | Nux Vomica– | Untitled | 3:18 |
A2 | Moisten Before Use– | Frustration | 6:08 |
A3 | Interaccion– | Arquetipos | 6:09 |
6: Reunion | |||
B1 | Unknown Artist– | Untitled | 2:39 |
B2 | Black Iron Prison– | Pragma | 3:36 |
B3 | Unknown Artist– | Untitled | 2:48 |
B4 | Vox Populi!– | White Man In Africa | 2:59 |
9: Cremation | |||
C1 | Aviador Dro– | Rusos S.A. | 3:44 |
C2 | Mark Lane– | Sojourn | 6:28 |
C3 | M.Nomized– | Face Ou Pile | 4:12 |
C4 | Der Expander Des Fortschritts– | Rien Ne Va Plus | 5:47 |
Companies, etc.
- Pressed By – GZ Media – 178186E
Notes
No artists or track titles listed.
No text on sleeve or labels - only on run-outs as described.
Headings taken from run-outs.
Title of album taken from online retailers.
Track A1 is the untitled track A3 from Casting A Dream To The Sea. It was titled "Part II" on a later digital release.
No text on sleeve or labels - only on run-outs as described.
Headings taken from run-outs.
Title of album taken from online retailers.
Track A1 is the untitled track A3 from Casting A Dream To The Sea. It was titled "Part II" on a later digital release.
Barcode and Other Identifiers
- Matrix / Runout (Side A stamped): LSD025 - 3: ASCENSION 178186E1/A
- Matrix / Runout (Side B stamped): LSD025 - 6: REUNION 178186E2/A
- Matrix / Runout (Side C stamped): LSD025 - 9: CREMATION 178186E3/A
Recommendations
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2017 UKVinyl —LP, Compilation, Limited Edition, Unofficial Release
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2017 UKVinyl —LP, Compilation, Limited Edition, Unofficial Release
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2021 UKVinyl —LP, Compilation, Unofficial Release
Reviews
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Edited 5 years agoToo bad they played the original tapes with noise reduction :(
Flat sound quality. -
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Edited 6 years agoAgreed on Side C, all four tracks are outstandingly weird DIY-feel pop. A&B too out there for me. Seems there were at least four compilers behind the earlier releases, at least two well-known and respected in the Chicago house and early cosmic disco scenes. Not sure how many are still involved, but it feels like Side C was compiled by someone other than the A & B.
As usual, you can say the quality isn't great, but it's not the point of these releases to produce high-quality replica bootlegs. Thinking of these more like mixtapes, ways of discovering new stuff. Too bad the artists aren't compensated (although I did buy the official Mark Lane reissue on the back of hearing it on this...) -
Side three is excellent. Funky, weird, independently minded electronic gear that really stands out and makes you want more.
Sides one and two feel cobbled together without any direction. Unmoored from the original artists' context, it's just bland synthetic wallpaper looking for an ear to attract, without success. -
This certainly isn’t the worst outing from LSD. In fact it’s the best I’ve heard in a while from the label. True, it’s all gimmicky and the bootleg aspect is kind of lame, but whatever.
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