Kamasi Washington – Heaven And Earth
Label: |
Young Turks – YT176LP |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
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Genre: |
Jazz |
Style: |
Fusion |
Tracklist
| Earth | |||
| A1 | Fists Of Fury | 9:42 | |
| A2 | Can You Hear Him | 8:54 | |
| B3 | Hub-Tones | 9:09 | |
| B4 | Connections | 8:23 | |
| C5 | Tiffakonkae | 9:24 | |
| C6 | The Invincible Youth | 9:52 | |
| D7 | Testify | 5:43 | |
| D8 | One Of One | 9:50 | |
| Heaven | |||
| E1 | The Space Travelers Lullaby | 10:31 | |
| E2 | Vi Lua Vi Sol | 11:06 | |
| F3 | Street Fighter Mas | 5:57 | |
| F4 | Song For The Fallen | 12:41 | |
| G5 | Journey | 8:50 | |
| G6 | The Psalmnist | 7:18 | |
| H7 | Show Us The Way | 6:51 | |
| H8 | Will You Sing | 10:12 | |
| The Choice | |||
| I1 | The Secret Of Jinsinson | 8:07 | |
| I2 | Will You Love Me Tomorrow | 9:40 | |
| J3 | My Family | 6:34 | |
| J4 | Agents Of Multiverse | 5:22 | |
| J5 | Ooh Child | 8:53 |
Companies, etc.
- Phonographic Copyright ℗ – Shoto Mas Inc.
- Copyright © – Shoto Mas Inc.
- Licensed To – Young Turks Recordings
- Recorded At – Electro-Vox Recording Studios
- Recorded At – Henson Recording Studios
- Recorded At – Stagg Street Studio
- Copyright © – Molique Music
- Copyright © – Kamasi Music
- Copyright © – Hubtones Music Co.
- Copyright © – Ryan Porter Progressive Music Publishing Company
- Copyright © – Screen Gems-EMI Music Inc.
- Copyright © – Drum Hedz 713 Music
- Copyright © – Kama Sutra Music, Inc.
- Copyright © – Stan Vincent Music
- Lacquer Cut At – Masterdisk
- Pressed By – Optimal Media GmbH – BI17350
- Pressed By – Optimal Media GmbH – BI17351
- Pressed By – Optimal Media GmbH – BI17352
- Published By – Words & Music
- Published By – BMG Platinum Songs US
- Published By – EMI Unart Catac.
- Published By – Big Deal Music Group
Credits
- Alto Saxophone – Terrace Martin (tracks: C5)
- Art Direction – Kamasi Washington
- Choir – Taylor Graves (tracks: A1, A2, B4, D8, E1, F3, F4, H7 to I1)
- Double Bass [Upright Bass] – Miles Mosley (tracks: A1 to B3, C5 to E1, F3 to G6, H8 to J3, J5)
- Drums – Tony Austin (tracks: A1 to B3, C5 to G6, H8 to J3, J5)
- Electric Bass – Stephen "Thundercat" Bruner* (tracks: C6, F4)
- Engineer [Assistant Mixing Engineer] – Derrick Stockwell
- Engineer [Assistant Recording Engineer] – Derrick Stockwell
- Keyboards, Organ – Brandon Coleman (tracks: A1 to I1, J3, J5)
- Lacquer Cut By – AD*
- Layout – Phil Lee (5)
- Lead Vocals – Steven Wayne (3) (tracks: J5)
- Mastered By [Mastering Engineer] – Kevin "Daddy Kev" Moo*
- Mixed By [Mixing Engineer] – Russell Elevado
- Orchestra, Bassoon – Amber Joy Wyman (tracks: A1, A2, B4, D8, E1, F3, F4, H7 to I1)
- Orchestra, Cello – Peter PT Jacobson* (tracks: A1, A2, B4, D8, E1, F3, F4, H7 to I1)
- Orchestra, Clarinet – Tracy Wannomae (tracks: A1, A2, B4, D8, E1, F3, F4, H7 to I1)
- Orchestra, Double Bass [Upright Bass] – Dominic Thiroux (tracks: A1, A2, B4, D8, E1, F3, F4, H7 to I1)
- Orchestra, Flute – Rickey Washington (tracks: A1, A2, B4, D8, E1, F3, F4, H7 to I1)
- Orchestra, French Horn – Laura Brenes (tracks: A1, A2, B4, D8, E1, F3, F4, H7 to I1)
- Orchestra, Oboe – Greg Martin (5) (tracks: A1, A2, B4, D8, E1, F3, F4, H7 to I1)
- Orchestra, Tuba – Marc T. Bolin (tracks: A1, A2, B4, D8, E1, F3, F4, H7 to I1)
- Orchestra, Viola – Tom Lea (tracks: A1, A2, B4, D8, E1, F3, F4, H7 to I1)
- Orchestra, Violin – Yvette Holzwarth (tracks: A1, A2, B4, D8, E1, F3, F4, H7 to I1)
- Percussion – Tony Austin (tracks: I1 to J3, J5)
- Photography By [For Mochilla.com] – Mike Park (5)
- Piano – Jamael Dean (tracks: C5)
- Recorded By [Lead Recording Engineer] – Michael Harris (10)
- Recorded By [Recording Engineer] – Tony Austin
- Tenor Saxophone – Rickey Washington (tracks: J3)
- Trombone – Ryan Porter (tracks: A1 to J3, J5)
- Trumpet – Dontae Winslow (tracks: A1 to D8, E2 to I1, J3)
- Vocoder – Brandon Coleman (tracks: E1 to F4)
Notes
The tracks of each part ('Earth, Heaven' and 'The Choice') are numbered sequentially on both inner sleeves and labels. The runouts are etched, apart from "MASTERDISK", which is stamped; and the plating marks such as "1=", "1+", "1⊥", are mirrored.
'The Choice' disc is hidden in the middle of the packaging, under a corrugated seam. The seam must be cut open to access the hidden disc.
On labels:
YT176LP: ℗2018 Shoto Mas Inc. Under exclusive license to Young Turks Recordings. ©2018 Shoto Mas Inc. Under exclusive license to Young Turks Recordings. All rights reserved. Made in EU
Recording Studios: Electro-Vox Recording; Henson Recording Studio; Stagg Street Studio
Track A1: © 2018 Molique Music (BMI)
Tracks A2, B4 to G5, H7 to I1, J3, J4: © 2018 Kamasi Music (ASCAP)
Track B3: © 2018 Hubtones Music Co (BMI)
Tracks D7, G5: Lyrics by Patrice Quinn (ASCAP)
Track G6: © 2018 Ryan Porter Progressive Music Publishing Company (ASCAP)
Track I2: © 2018 Screen Gems - EMI Music Inc. (BMI)
Track J4: © 2018 Drum Hedz 713 Music (SESAC)
Track J5: © 2018 Kama Sutra Music Inc. / Stan Vincent Music (BMI)
All rights on behalf of Kamasi Music istered by Words & Music, a division of Big Deal Music Group; on behalf of Molique Music istered by BMG Platinum Songs US; on behalf of Kama Sutra Music Inc., Stan Vincent Music istered by EMI Unart Catac.
℗ 2018 Shoto Mas Inc. Under exclusive license to Young Turks Recordings
© 2018 Shoto Mas Inc. Under exclusive license to Young Turks Recordings
'The Choice' disc is hidden in the middle of the packaging, under a corrugated seam. The seam must be cut open to access the hidden disc.
On labels:
YT176LP: ℗2018 Shoto Mas Inc. Under exclusive license to Young Turks Recordings. ©2018 Shoto Mas Inc. Under exclusive license to Young Turks Recordings. All rights reserved. Made in EU
Recording Studios: Electro-Vox Recording; Henson Recording Studio; Stagg Street Studio
Track A1: © 2018 Molique Music (BMI)
Tracks A2, B4 to G5, H7 to I1, J3, J4: © 2018 Kamasi Music (ASCAP)
Track B3: © 2018 Hubtones Music Co (BMI)
Tracks D7, G5: Lyrics by Patrice Quinn (ASCAP)
Track G6: © 2018 Ryan Porter Progressive Music Publishing Company (ASCAP)
Track I2: © 2018 Screen Gems - EMI Music Inc. (BMI)
Track J4: © 2018 Drum Hedz 713 Music (SESAC)
Track J5: © 2018 Kama Sutra Music Inc. / Stan Vincent Music (BMI)
All rights on behalf of Kamasi Music istered by Words & Music, a division of Big Deal Music Group; on behalf of Molique Music istered by BMG Platinum Songs US; on behalf of Kama Sutra Music Inc., Stan Vincent Music istered by EMI Unart Catac.
℗ 2018 Shoto Mas Inc. Under exclusive license to Young Turks Recordings
© 2018 Shoto Mas Inc. Under exclusive license to Young Turks Recordings
Barcode and Other Identifiers
- Barcode: 889030017611
- Rights Society (Tracks A1, B3, I2, J5): BMI
- Rights Society (Tracks A2, B4 to G6, H7 to I1, J3, J4): ASCAP
- Rights Society (Track J4): SESAC
- Matrix / Runout (Runout side A, variant 1): YT176LP A3 MASTERDISK AD BI 17350-01 A1 4=
- Matrix / Runout (Runout side B, variants 1 & 2): YT176LP B3 MASTERDISK AD BI 17350-01 B1
- Matrix / Runout (Runout side C, variant 1): YT176LP C3 MASTERDISK AD BI 17350-02 C1 1+
- Matrix / Runout (Runout side D, variant 1): YT176LP D3 MASTERDISK AD BI 17350-02 D1 1=
- Matrix / Runout (Runout side E, variant 1): YT176LP E3 MASTERDISK AD BI 17351-01 E1 1△
- Matrix / Runout (Runout side F, variant 1): YT176LP F3 MASTERDISK AD BI 17351-01 F1 1⊥
- Matrix / Runout (Runout side G, variant 1): YT176LP G3 MASTERDISK AD BI 17351-02 G1
- Matrix / Runout (Runout side H, variant 1): YT176LP H3 MASTERDISK AD BI 17351-02 H1 1+
- Matrix / Runout (Runout side I, variant 1): YT176LP I3 MASTERDISK AD BI 17352-01 I1
- Matrix / Runout (Runout side J, variant 1): YT176LP J3 MASTERDISK AD BI 17352-01 J1
- Matrix / Runout (Runout side A, variant 2): YT176LP A3 MASTERDISK AD BI 17350-01 A1 1+
- Matrix / Runout (Runout side B, variant 2): YT176LP B3 MASTERDISK AD BI 17350-01 B1
- Matrix / Runout (Runout side C, variant 2): YT176LP C3 MASTERDISK AD BI 17350-02 C1 1–
- Matrix / Runout (Runout side D, variant 2): YT176LP D3 MASTERDISK AD 1+ BI 17350-02 D1
- Matrix / Runout (Runout side E, variant 2): YT176LP E3 MASTERDISK AD BI 17351-01 E1 1+
- Matrix / Runout (Runout side F, variant 2): YT176LP F3 MASTERDISK AD BI 17351-01 F1 1+
- Matrix / Runout (Runout side G, variant 2): YT176LP G3 MASTERDISK AD BI 17351-02 G1 1+
- Matrix / Runout (Runout side H, variant 2): YT176LP H3 MASTERDISK AD BI 17351-02 H1 1=
- Matrix / Runout (Runout side I, variant 2): YT176LP I3 MASTERDISK AD BI 17352-01 I1 1⊥
- Matrix / Runout (Runout side J, variant 2): YT176LP J3 MASTERDISK AD BI 17352-01 J1 1⊥
Other Versions (5 of 9)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
|
Heaven And Earth (3×CD, Album) | Young Turks | YT176CD | Europe | 2018 | ||
| Heaven And Earth (3×CD, Album, UHQCD (Ultimate High Quality CD)) | Beat Records | YT176CDJP | Japan | 2018 | |||
|
Recently Edited
|
Heaven And Earth (5×LP, Album) | Young Turks | YT176LP | US | 2018 | ||
|
New Submission
|
Heaven And Earth (3×CD, Album) | Young Turks | YT176CD | US | 2018 | ||
|
Recently Edited
|
Heaven And Earth (2×CD, Album, Promo) | Young Turks | YT176CD | US | 2018 |
Recommendations
Reviews
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Edited one year agoUltimate Jazz ....... Pure Organic music ....... in free way, with harmonie and 50-70 cinematique feel.
Pure pieces, Kamasi out 2 Box set album, pure must have pack
Oh iam alway borring by all audio comment about pressing ?! Iam worked 30 years in musique, 10 in mastering studio 😂🤣😂😅
Please stop ur sheety comment
Your not Rashad at all.
And Rashad Becker probably have no comment on this mastering work and pressing
Sure you can mastering that in different way, but its an another records ..... -
The music is not bad, but the pressing is mind bogglingy bad. Dull, bass heavy, no treble. What was the mastering engineer thinking?
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Kennt jemand von euch die 4 LP´s Version? Katalog Nummer ist YT176LP aber halt nur mit vier Platten.
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Anyone know who sings on Will you love me tomorrow? Second track on the hidden "The Choice" disc.
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Great packaging, great idea. But sound quality of LP is not good. The mid-bass range is generally too loud, which fills out the sound of the other instruments. This is especially true for the songs that feature the string section.
If you can, try listening to other formats and compare. The difference is noticeable even when listening to Apple Music. There is a better balance of mid and low frequencies in the mix, and you will be able to hear more of the music. -
Such a great album!! Even though I haven't opened the disc 5 :)
Street fighter mas is sooooo good (have you heard the version of Rodrigo y Gabriela?)! -
If ONLY a label such as Blue Note had signed Kamasi, great band and album.
Yet again terrible SQ deserves too much better -
Probably the best jazz album I’ve heard in years, this dramatic diptych conjures up all sorts of imagery in its two-and-a-half-hour runtime, but for me the most enduring image is that of an Afrofuturist take on Michael Powell’s A Matter of Life and Death. The ascent from Earth to Heaven is slow and uncertain but there’s not a single minute I’d take out of it.
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For me the hidden record was great fun, its at least a thing i will use.
Have harder time whit boxsets full of T-shirts or other things i can never use to keep my box complete. -
Edited 2 years agoI found this tip for getting out the bonus LP it comes via Amazon from a member named Shane Schlick…
There is a "pre-ripped" opening at the TOP of the center that you can gently cut with a knife to access the bonus record without tearing up the packaging. DO NOT TEAR THE BOTTOM of center ! You will just get glue all over your record as you pull it out, and will most likely damage the inner and outer sleeves too, along with the beautiful packaging.
I hope this helps others without damaging the great LP package. There is also a picture on Turntable Lab that shows the actual opening for the hidden LP.
Release
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