EsotericDancing With The Devil

Label:

Club Craft – OR100

Format:

Vinyl , 12", 33 ⅓ RPM

Country:

UK

Released:

Genre:

Electronic

Style:

Freetekno

Tracklist

A Dancing With The Devil
Co-producerDavid
AA Esoteric vs. Hybrid
Co-producerHybrid Systems

Barcode and Other Identifiers

  • Matrix / Runout (Side A): CLUB 100R A-1
  • Matrix / Runout (Side AA): CLUB 100R AA-1
  • Matrix / Runout (Etching Side AA): Understood by a chosen few

Other Versions (2)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Dancing With The Devil (12", 33 ⅓ RPM, Promo) Club Craft OR100 UK 1996
Dancing With The Devil (12", 33 ⅓ RPM, Reissue) Curley Music CURLEY MUSIC 02 2010

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Reviews

  • DJFUNK2DJPHUNK's avatar
    DJFUNK2DJPHUNK
    Edited one year ago
    1 Curley fantastik prod are

    Especially this one ☝️
    With The 2 Prod out on Crown Control rec + the 2 on Uthmo....
    must have for a *23 World Travellers adventure.

    Pure Avant garde SCIfi
    Hard Acid tek in Trans with no cheesy way

    A Perfect Gem that inspired all nu prod in Acid tek Intill now
    30 years visionnary way of Listen, Dream, Produced and Run

    Curley was maybee one best visionary producer in 1996, This Collab was So Powerfull

    God blees him, pure extraterestrial evergreen Psykoproduction
    • mordiggian
      Edited 12 years ago
      While “Dancing with the Devil” will certainly pound your head into oblivion, the Esoteric vs Hybrid track is my favorite here. Curley collaborates with Robbert Latumahina (of Mononom and Sensory Overload) on this track, so this is a meeting of some of the most powerful forces in tekno music—two supermassive black holes warping space and time with the combined power of their gravitational fields. The track starts with harsh droning ambience before a cycling, incredibly disorienting acidline enters the mix. Every part of the track seems to be looping at a different weird tempo, threatening to pull apart at any moment, and yet it’s all incredibly syncopated in the way that only Curley could achieve. The breakbeat in this track booms just as hard as classic electro or Miami bass without sacrificing the teknoid sensibility. Eerie high-pitched frequencies drift over the acidline like the screams of dying stars. Everything works itself into a deep groove before the track shifts gears into intensely tweaked, brain-melting 303 madness. This track must have emerged from some kind of tear in the fabric of our dimension.

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