The ClashSandinista!

Label:

CBS – FSLN 1

Format:

3 x Vinyl , LP, Album, Stereo , James Booker Credit

Country:

UK

Released:

Genre:

Reggae

Style:

Experimental

Tracklist

A1 The Magnificent Seven 5:25
A2 Hitsville U.K. 4:17
A3 Junco Partner
Written-ByJames Booker
4:49
A4 Ivan Meets G.I. Joe 3:12
A5 The Leader 1:32
A6 Something About England 3:40
B1 Rebel Waltz 3:22
B2 Look Here
Written-ByMose Allison
2:42
B3 The Crooked Beat 5:29
B4 Somebody Got Murdered 3:27
B5 One More Time 3:30
B6 One More Dub 3:32
C1 Lightning Strikes (Not Once But Twice) 4:48
C2 Up In Heaven (Not Only Here) 4:25
C3 Corner Soul 2:40
C4 Lets Go Crazy 4:20
C5 If Music Could Talk
Written ByClash/Dread
Written-ByMikey Dread
4:33
C6 The Sound Of Sinners 3:57
D1 Police On My Back
Written-ByEddie Grant*
3:14
D2 Midnight Log 2:07
D3 The Equaliser 5:45
D4 The Call Up 5:15
D5 Washington Bullets 3:48
D6 Broadway 4:53
D7 Blowing In The Guns Of Brixton
VocalsMaria Gallagher
0:49
E1 Lose This Skin
Written-ByT. Dogg*
5:03
E2 Charlie Don't Surf 4:52
E3 Mensforth Hill 3:40
E4 Junkie Slip 2:47
E5 Kingston Advice 2:34
E6 The Street Parade 3:24
F1 Version City 4:01
F2 Living In Fame
Vocals [Vocal]Mikey Dread
4:55
F3 Silicone On Sapphire 4:27
F4 Version Pardner 5:18
F5 Career Opportunities
VocalsLuke Gallagher
2:28
F6 Shepherds Delight
Written ByDread/Clash
Written-ByMikey Dread
3:22

Companies, etc.

  • Copyright ©CBS Records
  • Phonographic Copyright ℗CBS Records
  • Published ByNineden Ltd.
  • Published ByWar Lock Music
  • Published ByPanache Music Ltd.
  • Published ByEdward Kassner Music Co
  • Published ByCopyright Control
  • Engineered AtWessex Sound Studios
  • Engineered AtElectric Lady Studios
  • Engineered AtChannel One Recording Studio
  • Engineered AtPluto Studios
  • Engineered AtPower Station
  • Lacquer Cut AtCBS Studios, London
  • Pressed ByCBS Pressing Plant, Aston Clinton

Credits

  • Band [The Clash], Bass, Vocals [Voc.]Paul Simonon
  • Band [The Clash], Drums, Vocals [Voc.]Topper Headon
  • Band [The Clash], Guitar, Vocals [Voc.]Mick Jones
  • Band [The Clash], Vocals [Voc.], GuitarJoe Strummer
  • Design [Sleeve Design]Clash*
  • Engineer [Channel 1]Lancelot Maxie McKenzie*
  • Engineer [Electric Ladyland]J. P. Nickolson
  • Engineer [Pluto + Power Station]Bill Price
  • Engineer [Wessex]Jerry Green*
  • Illustration [Cartoons]Steve Bell (3)
  • Lacquer Cut Bytimtom*
  • Mixed By [Version Mix]Mikey Dread
  • Musician [Guest Musicians]Timon Dogg*
  • Photography By [Photos]Pennie Smith
  • Producer [Production]The Clash
  • Recorded By, Mixed ByBill Price
  • Written-ByClash* (tracks: A1, A2, A4 to B1, B3 to C6, D2 to D6, E2 to F6)

Notes

This pressing has James Booker credit for A3 on the label . Other early UK pressings have "unknown“.
There is no exclamation mark behind SANDINISTA on the labels.

Includes a 6-page fold out printed insert with the catalog number FSLN 1, titled "The Armagideon Times no3" and featuring lyrics, credits and cartoons by Steve Bell.
D7: Is listed on The Armagideon Times no3 insert included with album.

Back cover: © 1980 CBS Records.
Labels: ℗ 1980 CBS Records Made in England.

Published by Nineden Ltd. except:
A3: War Lock Music
B2: Panache Music Ltd.
D1: Edward Kassner Music Co. Ltd.
E1: Copyright Control
F4: War Lock Music

Barcode and Other Identifiers

  • Label Code: LC 0149
  • Rights Society: MS/BIEM
  • Price Code: CB 253
  • Matrix / Runout (Label A): FSLN 1 A*
  • Matrix / Runout (Label B): FSLN 1 B*
  • Matrix / Runout (Label C): FSLN 1 C*
  • Matrix / Runout (Label D): FSLN 1 D*
  • Matrix / Runout (Label E): FSLN 1 E*
  • Matrix / Runout (Label F): FSLN 1 F*
  • Matrix / Runout (Runout A, variant 1): FSLN-1-A3 A
  • Matrix / Runout (Runout B, variant 1): FLSN-1-B4 Timtom A
  • Matrix / Runout (Runout C, variant 1): FLSN-1-C5 1 A
  • Matrix / Runout (Runout D, variant 1): FLSN-1-D5 A
  • Matrix / Runout (Runout E, variant 1): FLSN-1-E5 A
  • Matrix / Runout (Runout F, variant 1): FLSN-1-F5 A
  • Matrix / Runout (Runout A, variant 2): FSLN-1-A4
  • Matrix / Runout (Runout B, variant 2): FSLN 1 B6
  • Matrix / Runout (Runout C, variant 2): FSLN 1 C5
  • Matrix / Runout (Runout D, variant 2): FSLN-1-D4
  • Matrix / Runout (Runout E, variant 2): FSLN-1 E2
  • Matrix / Runout (Runout F, variant 2): FSLN 1 F6
  • Matrix / Runout (Runout A, variant 3): FSLN-1-A6 A
  • Matrix / Runout (Runout B, variant 3): FSLN-1-B5 A
  • Matrix / Runout (Runout C, variant 3): FSLN-1-C6 A
  • Matrix / Runout (Runout D, variant 3): FSLN-1-D5 A
  • Matrix / Runout (Runout E, variant 3): FSLN-1-E2 D
  • Matrix / Runout (Runout F, variant 3): FSLN-1-F6 A
  • Matrix / Runout (Runout A, variant 4): FSLN-1-A4
  • Matrix / Runout (Runout B, variant 4): FSLN-1-B3
  • Matrix / Runout (Runout C, variant 4): FSLN-1-C6
  • Matrix / Runout (Runout D, variant 4): FSLN-1-D5
  • Matrix / Runout (Runout E, variant 4): FSLN-1-E5
  • Matrix / Runout (Runout F, variant 4): FSLN-1-F5
  • Matrix / Runout (Runout A, variant 5): FSLN-1-A-3
  • Matrix / Runout (Runout B, variant 5): FSLN 1 B6
  • Matrix / Runout (Runout C, variant 5): FSLN-1-C-3
  • Matrix / Runout (Runout D, variant 5): FSLN 1 D5
  • Matrix / Runout (Runout E, variant 5): FSLN 1 E6
  • Matrix / Runout (Runout F, variant 5): FSLN-1-F1 C̶B̶S̶ ̶S̶ ̶6̶6̶3̶6̶3̶ ̶-̶ ̶F̶-̶ ̶1̶
  • Matrix / Runout (Runout A, variant 6): FSLN-1-A5
  • Matrix / Runout (Runout B, variant 6): FSLN-1-B1 B-1 timtom - cbs C̶B̶S̶ ̶S̶ ̶6̶6̶3̶6̶3̶
  • Matrix / Runout (Runout C, variant 6): FSLN-1-C2
  • Matrix / Runout (Runout D, variant 6): FSLN-1-D1 D-1 aren’t we all C̶B̶S̶ ̶S̶ ̶6̶6̶3̶6̶3̶
  • Matrix / Runout (Runout E, variant 6): FSLN.1.E1 E.1 timtom-cbs C̶B̶S̶ ̶S̶ ̶6̶6̶3̶6̶3̶
  • Matrix / Runout (Runout F, variant 6): FSLN.1.F1 F.1 timtom-cbs C̶B̶S̶ ̶S̶ ̶6̶6̶3̶6̶3̶
  • Matrix / Runout (Runout A, variant 7): FSLN-1-A7 tim tom
  • Matrix / Runout (Runout B, variant 7): FSLN 1 B6
  • Matrix / Runout (Runout C, variant 7): FSLN-1-C7 TY
  • Matrix / Runout (Runout D, variant 7): FSLN 1 D6
  • Matrix / Runout (Runout E, variant 7): FSLN 1 E4 tim tom
  • Matrix / Runout (Runout F, variant 7): FSLN 1 F6
  • Matrix / Runout (Runout A, variant 8): FSLN 1 A6
  • Matrix / Runout (Runout B, variant 8): FSLN 1 B5 -
  • Matrix / Runout (Runout C, variant 8): FSLN-1-C4
  • Matrix / Runout (Runout D, variant 8): FSLN-1-D1 C̶B̶S̶ ̶S̶ ̶6̶6̶3̶6̶3̶
  • Matrix / Runout (Runout E, variant 8): FSLN 1 |||| F4 CA
  • Matrix / Runout (Runout F, variant 8): FSLN 1 E5

Other Versions (5 of 138)

View All
Title (Format) Label Cat# Country Year
Sandinista! (3×LP, Album, Stereo) CBS CBS 66363, 66363 Europe 1980
Recently Edited
Sandinista! (3×LP, Album) Epic 2ELPS 0031 Australia 1980
Recently Edited
Sandinista! (2×Cassette, Album) CBS 40-66363 Europe 1980
Sandinista! (3×LP, Album) CBS S 66363 Spain 1980
Recently Edited
Sandinista! (2×Cassette, Album) CBS FSLN 40-1 UK 1980

Recommendations

  • London Calling
    1979 UK
    Vinyl —
    LP, Album, Stereo
    Shop
  • Scary Monsters
    1980 UK
    Vinyl —
    LP, Album, Stereo
    Shop
  • Combat Rock
    1982 UK
    Vinyl —
    LP, Album
    Shop
  • Black Market Clash
    1980 US
    Vinyl —
    10", 33 ⅓ RPM, EP, Compilation, Stereo
    Shop
  • The Clash
    UK
    Vinyl —
    LP, Album, Reissue
    Shop
  • No More Heroes
    1977 UK
    Vinyl —
    LP, Album, Stereo
    Shop
  • Low
    1977 UK
    Vinyl —
    LP, Album, Stereo
    Shop
  • Give 'Em Enough Rope
    1978 UK
    Vinyl —
    LP, Album, Stereo
    Shop
  • Specials
    1979 UK
    Vinyl —
    LP, Album
    Shop
  • Hatful Of Hollow
    1984 UK
    Vinyl —
    LP, Compilation, Stereo
    Shop

Reviews

  • martinjanet's avatar
    martinjanet
    Sometimes described as a "sprawling masterpiece". Sprawl it does, masterful it falls short of. They say "cream floats to the top" and in this case that's largely true, side A sublime, B as well, C pretty damn good, D has it's moments. If anyone ever pays a return visit to side F I'd ire their fortitude. If the album cut off at D6 then reserved parts of E as bonus tracks, then yes it would have a case for the masterpiece accolade. As it is there's just too much filler and self-indulgent dross on E and F to deserve it.
    • Minimal-Man's avatar
      Minimal-Man
      This record is truly beyond category. The amount of craft and detail seems phenomenal to me. A good record will stretch you beyond your normal expectations. That’s exactly what this record does.
      • strummerville64
        Surprised at the love for this album. I find it a hard listen overall although it would have made an excellent single album. Can't beat the debut - GOAT!
        • plaffey's avatar
          plaffey
          A sprawling masterpiece , that the critics refuse to acknowledge ( because they can't box it in to a certain musical style ) . Up there with the White album , another sprawling masterpiece !
          • TimBucknall's avatar
            TimBucknall
            Summary of Information in Kris Needs' Sandinista! article in Vive Le Rock Issue 076

            Shepherds Delight recorded Pluto Studios, Manchester, February 1980

            Junco Partner recorded Channel One Studios, Jamaica March 1980

            Police On My Back, recorded Power Station, NY March 1980 (bass overdubbed by Paul later at Wessex)

            Lose This Skin recorded Electric Ladyland , NY April 1980
            The Call Up recorded Electric Ladyland , NY April 1980
            Charlie Don't Surf recorded Electric Ladyland , NY April 1980
            Magnificent 7 recorded Electric Ladyland , NY April 1980
            Lightning Strikes recorded Electric Ladyland , NY April 1980
            If Music Could Talk recorded Electric Ladyland , NY April 1980
            Broadway recorded Electric Ladyland , NY April 1980
            Corner Soul recorded Electric Ladyland , NY April 1980
            One More Time recorded Electric Ladyland , NY April 1980

            The Equaliser recorded Wessex Studios, London, UK August 1980
            Rebel Waltz recorded Wessex Studios, London, UK August 1980
            Something About England recorded Wessex Studios, London, UK August 1980
            Someone Got Murdered recorded Wessex Studios, London, UK August 1980
            Up In Heaven recorded Wessex Studios, London, UK August 1980
            Lets Go Crazy recorded Wessex Studios, London, UK August 1980
            Street Parade recorded Wessex Studios, London, UK August 1980
            Hitsville UK recorded Wessex Studios, London, UK August 1980
            Look Here recorded Wessex Studios, London, UK August 1980
            The Leader recorded Wessex Studios, London, UK August 1980
            Midnight Log recorded Wessex Studios, London, UK August 1980
            The Crooked Beat recorded Wessex Studios, London, UK August 1980
            The Sound Of Sinners recorded Wessex Studios, London, UK August 1980
            Career Opportunies recorded Wessex Studios, London, UK August 1980

            Guest Musicians
            Ivan Julian, Guitar on The Call Up
            Ansell Collins, Spoken Word on Lets Go Crazy
            • BarryBev's avatar
              BarryBev
              I've got unknown / copyright control credits with the following matrix runouts:

              FSLN 1 A5 /\
              FSLN-1 B2 timtom-cbs /\
              FSLN-1 C2 D
              FSLN-1-D4 /\
              FSLN-1-E-3
              FSLN-1 F2
              • gravy_14's avatar
                gravy_14
                Edited 4 years ago
                My version has the sticker on the front and unknown writer for A/3 junco partner. Inner included. Is this version first press with the unknown writer citing? Happy collecting people
                • pedero's avatar
                  pedero
                  I’m looking to buy the cover only. Vg or better. me if you have one to sell.
                  • zedmano's avatar
                    zedmano
                    This album stands the test of time listening to it almost 40 years later and having bought it at the time of release and not loving it today it's one of my favourite albums of all time up there with the White album and a segway to Big Audio D....
                    • zbarbera's avatar
                      zbarbera
                      Edited 2 years ago
                      I think people overrate this album because of reputation. I think there was a lot thrown on here without much thought. There is some amazing music but too much chaff, they could have tightened this up and made a much better single or double album. Still obviously worth having if you come across it.

                      Release

                      See all versions
                      Recently Edited

                      For sale on Discogs

                      Sell a copy

                      74 copies from $7.93

                      Statistics

                      • Last Sold:
                      • Low:$5.32
                      • Median:$42.68
                      • High:$160.00

                      Videos (6)

                      Edit

                      Contributors