The Clash – Sandinista!
Label: |
CBS – FSLN 1 |
---|---|
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Reggae |
Style: |
Experimental |
Tracklist
A1 | The Magnificent Seven | 5:25 | |
A2 | Hitsville U.K. | 4:17 | |
A3 | Junco Partner | 4:49 | |
A4 | Ivan Meets G.I. Joe | 3:12 | |
A5 | The Leader | 1:32 | |
A6 | Something About England | 3:40 | |
B1 | Rebel Waltz | 3:22 | |
B2 | Look Here | 2:42 | |
B3 | The Crooked Beat | 5:29 | |
B4 | Somebody Got Murdered | 3:27 | |
B5 | One More Time | 3:30 | |
B6 | One More Dub | 3:32 | |
C1 | Lightning Strikes (Not Once But Twice) | 4:48 | |
C2 | Up In Heaven (Not Only Here) | 4:25 | |
C3 | Corner Soul | 2:40 | |
C4 | Lets Go Crazy | 4:20 | |
C5 | If Music Could Talk | 4:33 | |
C6 | The Sound Of Sinners | 3:57 | |
D1 | Police On My Back | 3:14 | |
D2 | Midnight Log | 2:07 | |
D3 | The Equaliser | 5:45 | |
D4 | The Call Up | 5:15 | |
D5 | Washington Bullets | 3:48 | |
D6 | Broadway | 4:53 | |
D7 | Blowing In The Guns Of Brixton | 0:49 | |
E1 | Lose This Skin | 5:03 | |
E2 | Charlie Don't Surf | 4:52 | |
E3 | Mensforth Hill | 3:40 | |
E4 | Junkie Slip | 2:47 | |
E5 | Kingston Advice | 2:34 | |
E6 | The Street Parade | 3:24 | |
F1 | Version City | 4:01 | |
F2 | Living In Fame | 4:55 | |
F3 | Silicone On Sapphire | 4:27 | |
F4 | Version Pardner | 5:18 | |
F5 | Career Opportunities | 2:28 | |
F6 | Shepherds Delight | 3:22 |
Companies, etc.
- Copyright © – CBS Records
- Phonographic Copyright ℗ – CBS Records
- Published By – Nineden Ltd.
- Published By – War Lock Music
- Published By – Panache Music Ltd.
- Published By – Edward Kassner Music Co
- Published By – Copyright Control
- Engineered At – Wessex Sound Studios
- Engineered At – Electric Lady Studios
- Engineered At – Channel One Recording Studio
- Engineered At – Pluto Studios
- Engineered At – Power Station
- Lacquer Cut At – CBS Studios, London
- Pressed By – CBS Pressing Plant, Aston Clinton
Credits
- Band [The Clash], Bass, Vocals [Voc.] – Paul Simonon
- Band [The Clash], Drums, Vocals [Voc.] – Topper Headon
- Band [The Clash], Guitar, Vocals [Voc.] – Mick Jones
- Band [The Clash], Vocals [Voc.], Guitar – Joe Strummer
- Design [Sleeve Design] – Clash*
- Engineer [Channel 1] – Lancelot Maxie McKenzie*
- Engineer [Electric Ladyland] – J. P. Nickolson
- Engineer [Pluto + Power Station] – Bill Price
- Engineer [Wessex] – Jerry Green*
- Illustration [Cartoons] – Steve Bell (3)
- Lacquer Cut By – timtom*
- Mixed By [Version Mix] – Mikey Dread
- Musician [Guest Musicians] – Timon Dogg*
- Photography By [Photos] – Pennie Smith
- Producer [Production] – The Clash
- Recorded By, Mixed By – Bill Price
- Written-By – Clash* (tracks: A1, A2, A4 to B1, B3 to C6, D2 to D6, E2 to F6)
Notes
This pressing has James Booker credit for A3 on the label . Other early UK pressings have "unknown“.
There is no exclamation mark behind SANDINISTA on the labels.
Includes a 6-page fold out printed insert with the catalog number FSLN 1, titled "The Armagideon Times no3" and featuring lyrics, credits and cartoons by Steve Bell.
D7: Is listed on The Armagideon Times no3 insert included with album.
Back cover: © 1980 CBS Records.
Labels: ℗ 1980 CBS Records Made in England.
Published by Nineden Ltd. except:
A3: War Lock Music
B2: Panache Music Ltd.
D1: Edward Kassner Music Co. Ltd.
E1: Copyright Control
F4: War Lock Music
There is no exclamation mark behind SANDINISTA on the labels.
Includes a 6-page fold out printed insert with the catalog number FSLN 1, titled "The Armagideon Times no3" and featuring lyrics, credits and cartoons by Steve Bell.
D7: Is listed on The Armagideon Times no3 insert included with album.
Back cover: © 1980 CBS Records.
Labels: ℗ 1980 CBS Records Made in England.
Published by Nineden Ltd. except:
A3: War Lock Music
B2: Panache Music Ltd.
D1: Edward Kassner Music Co. Ltd.
E1: Copyright Control
F4: War Lock Music
Barcode and Other Identifiers
- Label Code: LC 0149
- Rights Society: MS/BIEM
- Price Code: CB 253
- Matrix / Runout (Label A): FSLN 1 A*
- Matrix / Runout (Label B): FSLN 1 B*
- Matrix / Runout (Label C): FSLN 1 C*
- Matrix / Runout (Label D): FSLN 1 D*
- Matrix / Runout (Label E): FSLN 1 E*
- Matrix / Runout (Label F): FSLN 1 F*
- Matrix / Runout (Runout A, variant 1): FSLN-1-A3 A
- Matrix / Runout (Runout B, variant 1): FLSN-1-B4 Timtom A
- Matrix / Runout (Runout C, variant 1): FLSN-1-C5 1 A
- Matrix / Runout (Runout D, variant 1): FLSN-1-D5 A
- Matrix / Runout (Runout E, variant 1): FLSN-1-E5 A
- Matrix / Runout (Runout F, variant 1): FLSN-1-F5 A
- Matrix / Runout (Runout A, variant 2): FSLN-1-A4
- Matrix / Runout (Runout B, variant 2): FSLN 1 B6
- Matrix / Runout (Runout C, variant 2): FSLN 1 C5
- Matrix / Runout (Runout D, variant 2): FSLN-1-D4
- Matrix / Runout (Runout E, variant 2): FSLN-1 E2
- Matrix / Runout (Runout F, variant 2): FSLN 1 F6
- Matrix / Runout (Runout A, variant 3): FSLN-1-A6 A
- Matrix / Runout (Runout B, variant 3): FSLN-1-B5 A
- Matrix / Runout (Runout C, variant 3): FSLN-1-C6 A
- Matrix / Runout (Runout D, variant 3): FSLN-1-D5 A
- Matrix / Runout (Runout E, variant 3): FSLN-1-E2 D
- Matrix / Runout (Runout F, variant 3): FSLN-1-F6 A
- Matrix / Runout (Runout A, variant 4): FSLN-1-A4
- Matrix / Runout (Runout B, variant 4): FSLN-1-B3
- Matrix / Runout (Runout C, variant 4): FSLN-1-C6
- Matrix / Runout (Runout D, variant 4): FSLN-1-D5
- Matrix / Runout (Runout E, variant 4): FSLN-1-E5
- Matrix / Runout (Runout F, variant 4): FSLN-1-F5
- Matrix / Runout (Runout A, variant 5): FSLN-1-A-3
- Matrix / Runout (Runout B, variant 5): FSLN 1 B6
- Matrix / Runout (Runout C, variant 5): FSLN-1-C-3
- Matrix / Runout (Runout D, variant 5): FSLN 1 D5
- Matrix / Runout (Runout E, variant 5): FSLN 1 E6
- Matrix / Runout (Runout F, variant 5): FSLN-1-F1 C̶B̶S̶ ̶S̶ ̶6̶6̶3̶6̶3̶ ̶-̶ ̶F̶-̶ ̶1̶
- Matrix / Runout (Runout A, variant 6): FSLN-1-A5
- Matrix / Runout (Runout B, variant 6): FSLN-1-B1 B-1 timtom - cbs C̶B̶S̶ ̶S̶ ̶6̶6̶3̶6̶3̶
- Matrix / Runout (Runout C, variant 6): FSLN-1-C2
- Matrix / Runout (Runout D, variant 6): FSLN-1-D1 D-1 aren’t we all C̶B̶S̶ ̶S̶ ̶6̶6̶3̶6̶3̶
- Matrix / Runout (Runout E, variant 6): FSLN.1.E1 E.1 timtom-cbs C̶B̶S̶ ̶S̶ ̶6̶6̶3̶6̶3̶
- Matrix / Runout (Runout F, variant 6): FSLN.1.F1 F.1 timtom-cbs C̶B̶S̶ ̶S̶ ̶6̶6̶3̶6̶3̶
- Matrix / Runout (Runout A, variant 7): FSLN-1-A7 tim tom
- Matrix / Runout (Runout B, variant 7): FSLN 1 B6
- Matrix / Runout (Runout C, variant 7): FSLN-1-C7 TY
- Matrix / Runout (Runout D, variant 7): FSLN 1 D6
- Matrix / Runout (Runout E, variant 7): FSLN 1 E4 tim tom
- Matrix / Runout (Runout F, variant 7): FSLN 1 F6
- Matrix / Runout (Runout A, variant 8): FSLN 1 A6
- Matrix / Runout (Runout B, variant 8): FSLN 1 B5 -
- Matrix / Runout (Runout C, variant 8): FSLN-1-C4
- Matrix / Runout (Runout D, variant 8): FSLN-1-D1 C̶B̶S̶ ̶S̶ ̶6̶6̶3̶6̶3̶
- Matrix / Runout (Runout E, variant 8): FSLN 1 |||| F4 CA
- Matrix / Runout (Runout F, variant 8): FSLN 1 E5
Other Versions (5 of 138)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Sandinista! (3×LP, Album, Stereo) | CBS | CBS 66363, 66363 | Europe | 1980 | |||
Recently Edited
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Sandinista! (3×LP, Album) | Epic | 2ELPS 0031 | Australia | 1980 | ||
Recently Edited
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Sandinista! (2×Cassette, Album) | CBS | 40-66363 | Europe | 1980 | ||
Sandinista! (3×LP, Album) | CBS | S 66363 | Spain | 1980 | |||
Recently Edited
|
Sandinista! (2×Cassette, Album) | CBS | FSLN 40-1 | UK | 1980 |
Recommendations
Reviews
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Sometimes described as a "sprawling masterpiece". Sprawl it does, masterful it falls short of. They say "cream floats to the top" and in this case that's largely true, side A sublime, B as well, C pretty damn good, D has it's moments. If anyone ever pays a return visit to side F I'd ire their fortitude. If the album cut off at D6 then reserved parts of E as bonus tracks, then yes it would have a case for the masterpiece accolade. As it is there's just too much filler and self-indulgent dross on E and F to deserve it.
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This record is truly beyond category. The amount of craft and detail seems phenomenal to me. A good record will stretch you beyond your normal expectations. That’s exactly what this record does.
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Surprised at the love for this album. I find it a hard listen overall although it would have made an excellent single album. Can't beat the debut - GOAT!
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A sprawling masterpiece , that the critics refuse to acknowledge ( because they can't box it in to a certain musical style ) . Up there with the White album , another sprawling masterpiece !
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Summary of Information in Kris Needs' Sandinista! article in Vive Le Rock Issue 076
Shepherds Delight recorded Pluto Studios, Manchester, February 1980
Junco Partner recorded Channel One Studios, Jamaica March 1980
Police On My Back, recorded Power Station, NY March 1980 (bass overdubbed by Paul later at Wessex)
Lose This Skin recorded Electric Ladyland , NY April 1980
The Call Up recorded Electric Ladyland , NY April 1980
Charlie Don't Surf recorded Electric Ladyland , NY April 1980
Magnificent 7 recorded Electric Ladyland , NY April 1980
Lightning Strikes recorded Electric Ladyland , NY April 1980
If Music Could Talk recorded Electric Ladyland , NY April 1980
Broadway recorded Electric Ladyland , NY April 1980
Corner Soul recorded Electric Ladyland , NY April 1980
One More Time recorded Electric Ladyland , NY April 1980
The Equaliser recorded Wessex Studios, London, UK August 1980
Rebel Waltz recorded Wessex Studios, London, UK August 1980
Something About England recorded Wessex Studios, London, UK August 1980
Someone Got Murdered recorded Wessex Studios, London, UK August 1980
Up In Heaven recorded Wessex Studios, London, UK August 1980
Lets Go Crazy recorded Wessex Studios, London, UK August 1980
Street Parade recorded Wessex Studios, London, UK August 1980
Hitsville UK recorded Wessex Studios, London, UK August 1980
Look Here recorded Wessex Studios, London, UK August 1980
The Leader recorded Wessex Studios, London, UK August 1980
Midnight Log recorded Wessex Studios, London, UK August 1980
The Crooked Beat recorded Wessex Studios, London, UK August 1980
The Sound Of Sinners recorded Wessex Studios, London, UK August 1980
Career Opportunies recorded Wessex Studios, London, UK August 1980
Guest Musicians
Ivan Julian, Guitar on The Call Up
Ansell Collins, Spoken Word on Lets Go Crazy -
I've got unknown / copyright control credits with the following matrix runouts:
FSLN 1 A5 /\
FSLN-1 B2 timtom-cbs /\
FSLN-1 C2 D
FSLN-1-D4 /\
FSLN-1-E-3
FSLN-1 F2 -
Edited 4 years agoMy version has the sticker on the front and unknown writer for A/3 junco partner. Inner included. Is this version first press with the unknown writer citing? Happy collecting people
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This album stands the test of time listening to it almost 40 years later and having bought it at the time of release and not loving it today it's one of my favourite albums of all time up there with the White album and a segway to Big Audio D....
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Edited 2 years agoI think people overrate this album because of reputation. I think there was a lot thrown on here without much thought. There is some amazing music but too much chaff, they could have tightened this up and made a much better single or double album. Still obviously worth having if you come across it.
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