Tracklist
Hell's Bells | 5:10 | ||
Shoot To Thrill | 5:17 | ||
What Do You Do For Money Honey | 3:36 | ||
Given The Dog A Bone | 3:31 | ||
Let Me Put My Love Into You | 4:12 | ||
Back In Black | 4:17 | ||
You Shook Me All Night Long | 3:29 | ||
Have A Drink On Me | 4:01 | ||
Shake A Leg | 4:04 | ||
Rock And Roll Ain't Noise Pollution | 4:12 |
Credits (17)
- Bob DefrinArt Direction
- Cliff WilliamsBass
- Phil RuddDrums
- Tony PlattEngineer
- Benji Armbrister*Engineer [Assistant]
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Jack Newber*Engineer [Assistant]
Notes
Back in Black is the seventh studio album by Australian rock band AC/DC. Produced by Robert John "Mutt" Lange, the album was released on 25 July 1980 by Albert Productions and Atlantic Records. By the late 1970s, AC/DC began to achieve significant popularity outside their native Australia, with high-energy live performances and a string of successful albums. In 1979, they paired with producer Lange and recorded their international breakthrough, Highway to Hell. Shortly before the recording of their follow-up, lead vocalist Bon Scott died after a night of heavy alcohol consumption. The group continued with ex-Geordie singer Brian Johnson.
Back in Black was recorded over seven weeks in the Bahamas in spring 1980 (April & May). The area was hit by tropical storms at the time, making the sessions difficult at times. Johnson penned the album's lyrics and melodies, while guitarists Angus and Malcolm Young composed the music. Its musical content consists of hard rock-styled numbers. Lange demanded perfection in the band's recordings, particularly on Johnson's vocals. Following its completion, the group mixed Back in Black at Electric Lady Studios in New York City. The album's all-black cover was designed as a "sign of mourning" for Scott.
Their sixth international release, Back in Black was an unprecedented success: it has sold an estimated 50 million copies worldwide. Its enormous sales figures have made it the second-highest-selling album in history. The band ed the album with a yearlong world tour, cementing them among the most popular music acts of the early 1980s. Back in Black received positive critical reception at the time of its release, and it has since been included on numerous lists of "greatest" albums. Since its initial release, the album has been reissued and remastered multiple times, most recently for digital distribution.
Back in Black was recorded over seven weeks in the Bahamas in spring 1980 (April & May). The area was hit by tropical storms at the time, making the sessions difficult at times. Johnson penned the album's lyrics and melodies, while guitarists Angus and Malcolm Young composed the music. Its musical content consists of hard rock-styled numbers. Lange demanded perfection in the band's recordings, particularly on Johnson's vocals. Following its completion, the group mixed Back in Black at Electric Lady Studios in New York City. The album's all-black cover was designed as a "sign of mourning" for Scott.
Their sixth international release, Back in Black was an unprecedented success: it has sold an estimated 50 million copies worldwide. Its enormous sales figures have made it the second-highest-selling album in history. The band ed the album with a yearlong world tour, cementing them among the most popular music acts of the early 1980s. Back in Black received positive critical reception at the time of its release, and it has since been included on numerous lists of "greatest" albums. Since its initial release, the album has been reissued and remastered multiple times, most recently for digital distribution.
Versions
Filter by
619 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Back In Black
LP, Album
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Atlantic – K 50735 | UK | 1980 | UK — 1980 |
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Back In Black
LP, Album, Stereo
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Albert Productions – APLP-046 | Australia | 1980 | Australia — 1980 |
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Back In Black
LP, Album, Stereo, Specialty Pressing, Embossed Cover, Grey Print
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Atlantic – SD 16018 | US | 1980 | US — 1980 | ||||
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Back In Black
LP, Album, Stereo
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Atlantic – SD 16018 | 1980 | — 1980 |
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Back In Black
LP, Album
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Atlantic – ATL 50735 | Portugal | 1980 | Portugal — 1980 | ||||
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Back In Black
LP, Album, Hungaroton Pressing
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Atlantic – ATL 50735 | Yugoslavia | 1980 | Yugoslavia — 1980 |
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Back In Black
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Atlantic – CS 16018 | US | 1980 | US — 1980 |
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Back In Black
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Atlantic – SD-16018 | Canada | 1980 | Canada — 1980 |
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Back In Black
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Atlantic – 30.145 | Brazil | 1980 | Brazil — 1980 |
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Back In Black
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Atlantic – S 90.273 | Spain | 1980 | Spain — 1980 |
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Back In Black
Cassette, Album, Dolby
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Atlantic – K 450 735 | Europe | 1980 | Europe — 1980 | ||||
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Back In Black
LP, Album, Club Edition
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Atlantic – 32 011 9 | 1980 | — 1980 |
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Back In Black
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Atlantic – W 50735 | Italy | 1980 | Italy — 1980 |
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Back In Black
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Atlantic – SD - 16018 | Ecuador | 1980 | Ecuador — 1980 | ||||
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Back In Black
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Atlantic – SD 16018 | Netherlands | 1980 | Netherlands — 1980 |
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Back In Black
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Atlantic – ATL 50 735 | 1980 | — 1980 |
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Back In Black
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Atlantic – K 450 735 | Europe | 1980 | Europe — 1980 |
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Back In Black
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Atlantic – P-10906A | Japan | 1980 | Japan — 1980 |
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Atlantic – SD 16018 | India | 1980 | India — 1980 |
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Back In Black
Cassette, Album
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Albert Productions – TC-APLP046 | New Zealand | 1980 | New Zealand — 1980 |
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Back In Black
LP, Album, 1st Pressing
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Albert Productions – SD 16018 | New Zealand | 1980 | New Zealand — 1980 |
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Back In Black
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Albert Productions – APLP 046 | New Zealand | 1980 | New Zealand — 1980 |
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Back In Black
Cassette, Album, Club Edition
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Atlantic – CS 16018 | US | 1980 | US — 1980 | ||||
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Back In Black
LP, Album, Don Mills Pressing
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Atlantic – XSD 16018 | Canada | 1980 | Canada — 1980 |
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Back In Black
LP, Album, Impact Records Pressing
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Atlantic – XSD 16018 | Canada | 1980 | Canada — 1980 |
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Back In Black
LP, Album, Unofficial Release, Alternative Cover Art
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SH (4) – 867 | South Korea | 1980 | South Korea — 1980 |
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Back In Black
LP, Album, Club Edition
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Atlantic – SD 16018 | US | 1980 | US — 1980 |
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Back In Black
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Atlantic – SD 16018 | US | 1980 | US — 1980 |
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Back In Black
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Atlantic – SD 16018 | Norway | 1980 | Norway — 1980 |
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Back In Black
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Atlantic – 208982 | Argentina | 1980 | Argentina — 1980 |
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Back In Black
Cassette, Club Edition, Album
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Atlantic – CS 16018 | US | 1980 | US — 1980 | ||||
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Back In Black
Cassette, Album
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Atlantic – W 450735 | Italy | 1980 | Italy — 1980 |
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Back In Black
LP, Album, Club Edition
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Atlantic – SD 16018 | US | 1980 | US — 1980 |
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Back In Black
LP, Album, Reissue, SP
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Atlantic – SD 16018 | US | 1980 | US — 1980 |
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Back In Black
8-Track Cartridge, Album
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Atlantic – TP 16018 | US | 1980 | US — 1980 |
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Back In Black
LP, Album, Stereo
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Atlantic – SD16018 | UK | 1980 | UK — 1980 |
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Back In Black
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Atlantic – 23(7031)00217 | Colombia | 1980 | Colombia — 1980 |
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Back In Black
LP, Album, Club Edition
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Atlantic – SD 16018 | US | 1980 | US — 1980 |
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Back In Black
LP, Album, Club Edition, Santa Maria Pressing
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Atlantic – SD 16018 | US | 1980 | US — 1980 | ||||
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Back In Black
LP, Album, Stereo, Impact Records Pressing
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Atlantic – XSD16018 | Canada | 1980 | Canada — 1980 |
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Recommendations
Reviews
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referencing Back In Black (LP, Album, Gray Print) SD 16018
Ludwig version produces energy like no other! Tears your head off. -
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referencing Back In Black (LP, Album, Stereo, Specialty Pressing, Embossed Cover, Grey Print) SD 16018
Awesome pressing! Love the embossed logo. Pressing sounds clean with a nice dynamic range. Love that it’s mastered by RL and you can tell by the sound of this pressing. Get the OG if you can it’s worth the wait. -
referencing Back In Black (LP, Album) WL-1126
I'd love some more information on this release if anyone has some! -
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Goede plaat met een paar echte topnummers. Maar voor mij geen essentiële hardrockplaat ondanks 49 miljoen verkopen ( en op twee na de meest verkochte plaat).
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I think this is well mastered and dynamic no pops or crackles for me! Replaced my original press I bought new as a kid ….it was a little beat up lol
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Edited one month agoThis pressing sounded great to me but have nothing to compare to. Has all the thump from the low end I would expect for this album, I would call it on the warm side and maybe just missing a little bit of bite and clarity on the top end, but means it doesn’t get harsh at all when cranking it.
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I cleaned this album several times with an ultrasonic cleaner before giving it a spin, yet I still noticed some clicks on what appeared to be a scratch-free record. Don’t get me wrong, it’s still a great album—musically, it’s outstanding. However, when you invest the time to clean an album thoroughly, and it looks brand new with no visible imperfections, it's disappointing to hear those unwanted clicks still present. It definitely makes this particular pressing feel a little weaker compared to other albums in my collection that have been treated the same way but play flawlessly. That said, the music itself remains fantastic, and it’s definitely worth having in any collection—it just doesn’t quite live up to the standard of some of the other pressings I own.
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