R. D. BurmanHaré Rama Haré Krishna

Genre:

Stage & Screen

Style:

Funk

Year:

Tracklist

Chorus* Dum Maro Dum
Asha Bhosle I Love You
Lata Mangeshkar Kanchi Re Kanchi
Lata Mangeshkar Ghunghroo Kya Bole
R. D. Burman Dance Music (I)
Lata Mangeshkar Phoolon Ka Taron Ka
Chorus* Dum Maro Dum
Kishore Kumar Ram Ka Naam Badnam Na Karo
Kishore Kumar Phoolon Ka Taron Ka
R. D. Burman Dance Music (II)

Credits (3)

Versions

Filter by
    16 versions
    Image , In Your Collection, Wantlist, or Inventory
    Version Details Data Quality
    Cover of Haré Rama Haré Krishna, 1971, Vinyl Haré Rama Haré Krishna
    LP
    Odeon – MOCE. 4102 India 1971 India1971
    Recently Edited
    Cover of Haré Rama Haré Krishna, 1971, Vinyl Haré Rama Haré Krishna
    LP
    Odeon – LKDA-21 Pakistan 1971 Pakistan1971
    New Submission
    Cover of Haré Rama Haré Krishna, 1971, Vinyl Haré Rama Haré Krishna
    LP
    Royal – RL 55 Iran 1971 Iran1971
    New Submission
    Cover of Haré Rama Haré Krishna, 1971, Vinyl Haré Rama Haré Krishna
    LP
    His Master's Voice – IND 1020 (MOCE 4102) Israel 1971 Israel1971
    New Submission
    Cover of Haré Rama Haré Krishna, 1971, Vinyl Haré Rama Haré Krishna
    LP
    His Master's Voice – JCLPI 12313 South Africa 1971 South Africa1971
    New Submission
    Cover of Haré Rama Haré Krishna, 1971, Vinyl Haré Rama Haré Krishna
    LP
    His Master's Voice – LKDA-21 Pakistan 1971 Pakistan1971
    New Submission
    Cover of Haré Rama Haré Krishna, 1971, Vinyl Haré Rama Haré Krishna
    LP, Mono
    His Master's Voice – LKDA-21 Pakistan 1971 Pakistan1971
    New Submission
    Cover of Haré Rama Haré Krishna, 1971, Vinyl Haré Rama Haré Krishna
    LP
    Odeon – MOCE. 4102 India 1971 India1971
    New Submission
    Cover of Haré Rama Haré Krishna, 1971, Vinyl Haré Rama Haré Krishna
    LP
    Odeon – MOCE. 4102 India 1971 India1971
    New Submission
    Cover of Hare Rama Hare Krishna, 2001, CD Hare Rama Hare Krishna
    CD, Reissue
    Saregama – CDF 130334 India 2001 India2001
    New Submission
    Cover of Haré Rama Haré Krishna, 2015-11-25, Vinyl Haré Rama Haré Krishna
    LP, Reissue, Unofficial Release
    Far Eastern Sunshine – FES004-2 Europe 2015 Europe2015
    New Submission
    Cover of Haré Rama Haré Krishna, 2015-11-25, CD Haré Rama Haré Krishna
    CD, Reissue, Unofficial Release
    Far Eastern Sunshine – FES004-1 Europe 2015 Europe2015
    New Submission
    Cover of Haré Rama Haré Krishna, 2017, Vinyl Haré Rama Haré Krishna
    LP, Reissue, Remastered
    RP - Sanjiv Goenka Group – S6710S00067 India 2017 India2017
    New Submission
    Cover of Haré Rama Haré Krishna, , Vinyl Haré Rama Haré Krishna
    LP
    Odeon – 8E 068-82 336 Portugal Portugal
    New Submission
    Cover of Haré Rama Haré Krishna, , Vinyl Haré Rama Haré Krishna
    LP
    Linde Records – URLP 4028 Malaysia Malaysia
    New Submission
    Cover of Hare Rama Hare Krishna, , Vinyl Hare Rama Hare Krishna
    12", 33 ⅓ RPM, Repress, Stereo
    Bell Records (4) – LP 9117 Malaysia Malaysia
    Recently Edited

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    Reviews

    • mittal's avatar
      mittal
      Dum Maro Dum has been covered many times and many ways -

      L.R. Eswari - Modern Songs Telugu- Telugu language cover.
      • wurstmeister's avatar
        wurstmeister
        Why it is not allowed to sell a copy of this version?
        • kosmicwoody's avatar
          kosmicwoody
          Edited 9 years ago
          ekengren: I agree, the sound is more compressed, but still much more enjoyable than the originals, that got repressed back in the days from other scratchy LP's as source by all those major record labels. so if you don't want to spend lots of money in search for a mint original 1st pressing of this LP, this reissue will do it. in the end it's dancing and fun music anyway, so I can't imagine, anyone sitting silently in his chair with headphones on etc. :-D
          • ekengren's avatar
            ekengren
            The quality of this pressing is just barely OK compared to the original. The sound is more compressed and filtered in some way but not as bad as the other far eastern sunshine pressings.
            • gordysgroovesuk's avatar
              gordysgroovesuk
              This is the the holy grail of 70's hippie bollywood funk !!!
              Produced by the master Mr R D Burman !!!
              DUM MARO DUM !!!
              • Sonnenmensch's avatar
                Sonnenmensch
                from press-release:

                Now we drift deep into the world of Bollywood. “Hare Rama, hare Krishna” is an Indian movie from 1971 which features an odd story about family problems, the flight of a young girl into the hippie lifestyle far from home and the quest of her brother to bring her back home. The musical framework of this movie has been created by Rahul Dev Burman (1939 – 1994), one of the most prolific soundtrack score composers from India. And the music alone plays a movie in your mind even though you may not know the original flick. It is a rich and deep sound obviously rooted within the music of India but always with a pop approach. There is some acid rock typical for the era, there are Hindi pop tunes with haunting vocals on a background of traditional acoustic instruments. Some western oriented moments hook up with colorful Indian harmonies and even the obvious pop hits have a mystifying power. The playing here is surely excellent for all tunes have been executed by well educated professional musicians. This gets the compositions flowing easily into, through and out of your mind. If you are a fan of Bollywood movies and therefore love the soundtracks, this should be the right thing for you to enjoy. If you wish to go for some music with a straight flow but exotic flavor, this is a great way to start your journey. It is what I would call Hindi Pop, micro elements of ancient traditional music from India transported into new and rather accessible song structures. Since all of this happened during the era of psychedelic rock and powerfunk, you will find traces of these styles popular in the West as well but just in a very small dose so the whole atmosphere and spirit of this music is definitely Indian. It is a different route R.D. Burman takes compared to other contemporary Indian pop artists such as Ananda Shankar who let Western rock and pop and traditional Indian music stand as two equally strong aspects. If this is still new to your ears and soul you will be astonished by its beauty. But anyway, this is some music you won’t get to listen to every day.
                • Sonnenmensch's avatar
                  Sonnenmensch
                  from press-release:

                  Now we drift deep into the world of Bollywood. “Hare Rama, hare Krishna” is an Indian movie from 1971 which features an odd story about family problems, the flight of a young girl into the hippie lifestyle far from home and the quest of her brother to bring her back home. The musical framework of this movie has been created by Rahul Dev Burman (1939 – 1994), one of the most prolific soundtrack score composers from India. And the music alone plays a movie in your mind even though you may not know the original flick. It is a rich and deep sound obviously rooted within the music of India but always with a pop approach. There is some acid rock typical for the era, there are Hindi pop tunes with haunting vocals on a background of traditional acoustic instruments. Some western oriented moments hook up with colorful Indian harmonies and even the obvious pop hits have a mystifying power. The playing here is surely excellent for all tunes have been executed by well educated professional musicians. This gets the compositions flowing easily into, through and out of your mind. If you are a fan of Bollywood movies and therefore love the soundtracks, this should be the right thing for you to enjoy. If you wish to go for some music with a straight flow but exotic flavor, this is a great way to start your journey. It is what I would call Hindi Pop, micro elements of ancient traditional music from India transported into new and rather accessible song structures. Since all of this happened during the era of psychedelic rock and powerfunk, you will find traces of these styles popular in the West as well but just in a very small dose so the whole atmosphere and spirit of this music is definitely Indian. It is a different route R.D. Burman takes compared to other contemporary Indian pop artists such as Ananda Shankar who let Western rock and pop and traditional Indian music stand as two equally strong aspects. If this is still new to your ears and soul you will be astonished by its beauty. But anyway, this is some music you won’t get to listen to every day.

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                  • Avg Rating:4.46 / 5
                  • Ratings:83

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