Tracklist
Chorus*– | Dum Maro Dum | ||
Asha Bhosle– | I Love You | ||
Lata Mangeshkar– | Kanchi Re Kanchi | ||
Lata Mangeshkar– | Ghunghroo Kya Bole | ||
R. D. Burman– | Dance Music (I) | ||
Lata Mangeshkar– | Phoolon Ka Taron Ka | ||
Chorus*– | Dum Maro Dum | ||
Kishore Kumar– | Ram Ka Naam Badnam Na Karo | ||
Kishore Kumar– | Phoolon Ka Taron Ka | ||
R. D. Burman– | Dance Music (II) |
Credits (3)
- Anand BakshiLyrics By
- R. D. BurmanMusic By, Music Director
- Mohan WaghPhotography By
Versions
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16 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Haré Rama Haré Krishna
LP
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Odeon – MOCE. 4102 | India | 1971 | India — 1971 |
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Haré Rama Haré Krishna
LP
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Odeon – LKDA-21 | Pakistan | 1971 | Pakistan — 1971 |
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Haré Rama Haré Krishna
LP
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Royal – RL 55 | Iran | 1971 | Iran — 1971 |
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Haré Rama Haré Krishna
LP
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His Master's Voice – IND 1020 (MOCE 4102) | Israel | 1971 | Israel — 1971 |
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Haré Rama Haré Krishna
LP
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His Master's Voice – JCLPI 12313 | South Africa | 1971 | South Africa — 1971 |
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Haré Rama Haré Krishna
LP
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His Master's Voice – LKDA-21 | Pakistan | 1971 | Pakistan — 1971 |
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Haré Rama Haré Krishna
LP, Mono
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His Master's Voice – LKDA-21 | Pakistan | 1971 | Pakistan — 1971 |
New Submission
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Haré Rama Haré Krishna
LP
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Odeon – MOCE. 4102 | India | 1971 | India — 1971 |
New Submission
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Haré Rama Haré Krishna
LP
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Odeon – MOCE. 4102 | India | 1971 | India — 1971 |
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Hare Rama Hare Krishna
CD, Reissue
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Saregama – CDF 130334 | India | 2001 | India — 2001 |
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Haré Rama Haré Krishna
LP, Reissue, Unofficial Release
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Far Eastern Sunshine – FES004-2 | Europe | 2015 | Europe — 2015 |
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Haré Rama Haré Krishna
CD, Reissue, Unofficial Release
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Far Eastern Sunshine – FES004-1 | Europe | 2015 | Europe — 2015 |
New Submission
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Haré Rama Haré Krishna
LP, Reissue, Remastered
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RP - Sanjiv Goenka Group – S6710S00067 | India | 2017 | India — 2017 |
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Haré Rama Haré Krishna
LP
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Odeon – 8E 068-82 336 | Portugal | Portugal |
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Haré Rama Haré Krishna
LP
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Linde Records – URLP 4028 | Malaysia | Malaysia |
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Hare Rama Hare Krishna
12", 33 ⅓ RPM, Repress, Stereo
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Bell Records (4) – LP 9117 | Malaysia | Malaysia |
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Recommendations
Reviews
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referencing Haré Rama Haré Krishna (LP) MOCE 4102
Dum Maro Dum has been covered many times and many ways -
L.R. Eswari - Modern Songs Telugu- Telugu language cover. -
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Edited 9 years agoekengren: I agree, the sound is more compressed, but still much more enjoyable than the originals, that got repressed back in the days from other scratchy LP's as source by all those major record labels. so if you don't want to spend lots of money in search for a mint original 1st pressing of this LP, this reissue will do it. in the end it's dancing and fun music anyway, so I can't imagine, anyone sitting silently in his chair with headphones on etc. :-D
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The quality of this pressing is just barely OK compared to the original. The sound is more compressed and filtered in some way but not as bad as the other far eastern sunshine pressings.
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referencing Haré Rama Haré Krishna (LP) MOCE 4102
This is the the holy grail of 70's hippie bollywood funk !!!
Produced by the master Mr R D Burman !!!
DUM MARO DUM !!! -
from press-release:
Now we drift deep into the world of Bollywood. “Hare Rama, hare Krishna” is an Indian movie from 1971 which features an odd story about family problems, the flight of a young girl into the hippie lifestyle far from home and the quest of her brother to bring her back home. The musical framework of this movie has been created by Rahul Dev Burman (1939 – 1994), one of the most prolific soundtrack score composers from India. And the music alone plays a movie in your mind even though you may not know the original flick. It is a rich and deep sound obviously rooted within the music of India but always with a pop approach. There is some acid rock typical for the era, there are Hindi pop tunes with haunting vocals on a background of traditional acoustic instruments. Some western oriented moments hook up with colorful Indian harmonies and even the obvious pop hits have a mystifying power. The playing here is surely excellent for all tunes have been executed by well educated professional musicians. This gets the compositions flowing easily into, through and out of your mind. If you are a fan of Bollywood movies and therefore love the soundtracks, this should be the right thing for you to enjoy. If you wish to go for some music with a straight flow but exotic flavor, this is a great way to start your journey. It is what I would call Hindi Pop, micro elements of ancient traditional music from India transported into new and rather accessible song structures. Since all of this happened during the era of psychedelic rock and powerfunk, you will find traces of these styles popular in the West as well but just in a very small dose so the whole atmosphere and spirit of this music is definitely Indian. It is a different route R.D. Burman takes compared to other contemporary Indian pop artists such as Ananda Shankar who let Western rock and pop and traditional Indian music stand as two equally strong aspects. If this is still new to your ears and soul you will be astonished by its beauty. But anyway, this is some music you won’t get to listen to every day. -
from press-release:
Now we drift deep into the world of Bollywood. “Hare Rama, hare Krishna” is an Indian movie from 1971 which features an odd story about family problems, the flight of a young girl into the hippie lifestyle far from home and the quest of her brother to bring her back home. The musical framework of this movie has been created by Rahul Dev Burman (1939 – 1994), one of the most prolific soundtrack score composers from India. And the music alone plays a movie in your mind even though you may not know the original flick. It is a rich and deep sound obviously rooted within the music of India but always with a pop approach. There is some acid rock typical for the era, there are Hindi pop tunes with haunting vocals on a background of traditional acoustic instruments. Some western oriented moments hook up with colorful Indian harmonies and even the obvious pop hits have a mystifying power. The playing here is surely excellent for all tunes have been executed by well educated professional musicians. This gets the compositions flowing easily into, through and out of your mind. If you are a fan of Bollywood movies and therefore love the soundtracks, this should be the right thing for you to enjoy. If you wish to go for some music with a straight flow but exotic flavor, this is a great way to start your journey. It is what I would call Hindi Pop, micro elements of ancient traditional music from India transported into new and rather accessible song structures. Since all of this happened during the era of psychedelic rock and powerfunk, you will find traces of these styles popular in the West as well but just in a very small dose so the whole atmosphere and spirit of this music is definitely Indian. It is a different route R.D. Burman takes compared to other contemporary Indian pop artists such as Ananda Shankar who let Western rock and pop and traditional Indian music stand as two equally strong aspects. If this is still new to your ears and soul you will be astonished by its beauty. But anyway, this is some music you won’t get to listen to every day.
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