VariousJukebox Jam - Blues And Rhythm Revue

Genre:

Blues

Style:

Rhythm & Blues

Year:

Tracklist

Rose Mitchell Baby Please Don't Go
Mr. Sad Head Hot Weather Blues
Big Maybelle I've Got A Feelin'
Bunker Hill You Can't Make Me Doubt My Baby
Jay Swan You Don't Love Me
Jack Tucker Crazy Do
Little Arthur Matthews* Whale On You
Etta James Nobody Loves You Like Me
Ervin Rucker Baby You Were Meant For Me
s Burr I Say No, No More
Mike Robinson (11) Lula
Big Tiny Kennedy Country Boy
Little Esther* Hound Dog
Roy Brown Mr. Hound Dog's In Town
Otis Blackwell Let The Daddy Hold You
Eunice Davis Get Your Enjoy's
Marga Benitez Geechie Goomie
Vernon Dilworth Shorty
Terry Timmons Got Nobody To Love
Jeannie Barnes Can't Get You Off My Mind
Arthur Griswold Pretty Mama Blues
Ben Harper (2) I Can't Takit No Longer

Credits (1)

Notes

Various - Jukebox Jam - Blues And Rhythm Revue ‎

Versions

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    3 versions
    Image , In Your Collection, Wantlist, or Inventory
    Version Details Data Quality
    Cover of Jukebox Jam - Blues And Rhythm Revue, 2011-12-01, Vinyl Jukebox Jam - Blues And Rhythm Revue
    2×LP, Compilation
    Jazzman – JMAN LP 045 UK 2011 UK2011
    Recently Edited
    Cover of Jukebox Jam - Blues And Rhythm Revue, 2011-12-01, CD Jukebox Jam - Blues And Rhythm Revue
    CD, Compilation
    Jazzman – JMANCD 045 UK 2011 UK2011
    New Submission
    Cover of Jukebox Jam Vol.1 - Blues And Rhythm Revue , 2015-12-21, Vinyl Jukebox Jam Vol.1 - Blues And Rhythm Revue
    2×LP, Compilation, Repress
    Jazzman – JMANLP.045 UK 2015 UK2015
    New Submission

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    Reviews

    • DIRTYVINYL's avatar
      DIRTYVINYL
      Vinyl reissued a couple of days ago, sensible price! Check the Jazzman website
      • PrinceAsbo's avatar
        PrinceAsbo
        CLASS ACTION SUIT NETS BLACK R&B COMPOSERS SOLE CREDIT, UNPAID ROYALTIES
        Tunesmiths Now Face Massive Bills, Jail Time For Unpaid Taxes

        (New York) — After over half a century of injustice, a group of African-American songwriters forced to share composing credits with unscrupulous white label executives, management and performers will finally see themselves given rightful sole credit and unpaid royalties for work they did in the 1950s and 60s. Simultaneously, the surviving musicians risk massive bills and/or imprisonment for unpaid taxes.

        With little savings, most of the songwriters who brought the suit, now in their 70s and 80s, will likely face incarceration for historical tax evasion as a result of their windfall. Families of those composers who have ed away destitute and unrecognised in the intervening years, are set to have their houses repossessed and assets stripped in order to cover not just debt but punitive istration costs involved in its recovery.

        One Internal Revenue Service source claimed that the interest on the avoided tax alone will “dwarf” the royalty payments. “This is a great day for the IRS,” he said.

        According to DJ and music historian Liam Large, artists like Otis Blackwell were “the victim[s] of a system which more often than not undercut, undermined and plain shafted the creative minds which drove and innovated the music which was by [the 1950s] making serious dollars for the big companies.”

        An elated Jann Wenner said the judgement “righted a decades-old wrong” and called it “a victory over the forces of cultural oppression which have dominated not only the music industry but all of American life”.

        At the same time, the Rolling Stone editor/publisher blasted what he called “these shameless tax cheats and scofflaws who think there’s one rule for them and another for the rest of us.”

        http://thriftyvinyl.wordpress.com/

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