Tracklist
Rose Mitchell– | Baby Please Don't Go | ||
Mr. Sad Head– | Hot Weather Blues | ||
Big Maybelle– | I've Got A Feelin' | ||
Bunker Hill– | You Can't Make Me Doubt My Baby | ||
Jay Swan– | You Don't Love Me | ||
Jack Tucker– | Crazy Do | ||
Little Arthur Matthews*– | Whale On You | ||
Etta James– | Nobody Loves You Like Me | ||
Ervin Rucker– | Baby You Were Meant For Me | ||
s Burr– | I Say No, No More | ||
Mike Robinson (11)– | Lula | ||
Big Tiny Kennedy– | Country Boy | ||
Little Esther*– | Hound Dog | ||
Roy Brown– | Mr. Hound Dog's In Town | ||
Otis Blackwell– | Let The Daddy Hold You | ||
Eunice Davis– | Get Your Enjoy's | ||
Marga Benitez– | Geechie Goomie | ||
Vernon Dilworth– | Shorty | ||
Terry Timmons– | Got Nobody To Love | ||
Jeannie Barnes– | Can't Get You Off My Mind | ||
Arthur Griswold– | Pretty Mama Blues | ||
Ben Harper (2)– | I Can't Takit No Longer |
Credits (1)
- Liam LargeCompiled By
Notes
Various - Jukebox Jam - Blues And Rhythm Revue
Versions
Filter by
3 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
|
Version Details | Data Quality | |||
---|---|---|---|---|---|---|---|---|---|
![]() |
Jukebox Jam - Blues And Rhythm Revue
2×LP, Compilation
|
Jazzman – JMAN LP 045 | UK | 2011 | UK — 2011 |
Recently Edited
|
|||
![]() |
Jukebox Jam - Blues And Rhythm Revue
CD, Compilation
|
Jazzman – JMANCD 045 | UK | 2011 | UK — 2011 |
New Submission
|
|||
![]() |
Jukebox Jam Vol.1 - Blues And Rhythm Revue
2×LP, Compilation, Repress
|
Jazzman – JMANLP.045 | UK | 2015 | UK — 2015 |
New Submission
|
Recommendations
-
-
2012 UKVinyl —LP, Compilation
-
-
2000 UKVinyl —LP, Compilation
-
-
-
2013 UK, Europe & USVinyl —LP, Album, Compilation, Stereo
-
2012 USVinyl —LP, Compilation
-
2008 UKVinyl —LP, Compilation
-
Reviews
-
-
CLASS ACTION SUIT NETS BLACK R&B COMPOSERS SOLE CREDIT, UNPAID ROYALTIES
Tunesmiths Now Face Massive Bills, Jail Time For Unpaid Taxes
(New York) — After over half a century of injustice, a group of African-American songwriters forced to share composing credits with unscrupulous white label executives, management and performers will finally see themselves given rightful sole credit and unpaid royalties for work they did in the 1950s and 60s. Simultaneously, the surviving musicians risk massive bills and/or imprisonment for unpaid taxes.
With little savings, most of the songwriters who brought the suit, now in their 70s and 80s, will likely face incarceration for historical tax evasion as a result of their windfall. Families of those composers who have ed away destitute and unrecognised in the intervening years, are set to have their houses repossessed and assets stripped in order to cover not just debt but punitive istration costs involved in its recovery.
One Internal Revenue Service source claimed that the interest on the avoided tax alone will “dwarf” the royalty payments. “This is a great day for the IRS,” he said.
According to DJ and music historian Liam Large, artists like Otis Blackwell were “the victim[s] of a system which more often than not undercut, undermined and plain shafted the creative minds which drove and innovated the music which was by [the 1950s] making serious dollars for the big companies.”
An elated Jann Wenner said the judgement “righted a decades-old wrong” and called it “a victory over the forces of cultural oppression which have dominated not only the music industry but all of American life”.
At the same time, the Rolling Stone editor/publisher blasted what he called “these shameless tax cheats and scofflaws who think there’s one rule for them and another for the rest of us.”
http://thriftyvinyl.wordpress.com/
Master Release
Edit Master Release
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
13 copies from €21.69