Tracklist
Astradyne | 7:07 | ||
New Europeans | 4:00 | ||
Private Lives | 4:06 | ||
ing Strangers | 3:49 | ||
Sleepwalk | 3:10 | ||
Mr. X | 6:33 | ||
Western Promise | 5:44 | ||
Vienna | 4:52 | ||
All Stood Still | 4:23 |
Credits (13)
- Chris CrossBass, Synthesizer, Vocals
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Glenn TravisDesign
- Warren CannDrums, Percussion [Electronic Percussion], Vocals
- Midge UreLead Vocals, Guitar, Synthesizer
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Morrison-O'Donnell Limited*Management
- Brian Griffin (3)Photography By
Notes
Midge Ure.
Released 11 July 1980.
Entered UK albums chart 19 July 1980. Highest position: 3
Includes the singles:
All Stood Still, released 29 May 1981.
Released 11 July 1980.
Entered UK albums chart 19 July 1980. Highest position: 3
Includes the singles:
All Stood Still, released 29 May 1981.
Versions
Filter by
177 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Vienna
LP, Album, Stereo
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Chrysalis – 202 701-320 | 1980 | — 1980 |
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Vienna
LP, Album, Stereo
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Chrysalis – CHR 1296 | UK | 1980 | UK — 1980 |
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Vienna
LP, Album, Stereo, Santa Maria Press
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Chrysalis – CHR 1296 | US | 1980 | US — 1980 |
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Vienna
LP, Album
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Chrysalis – L-37,376 | Australia | 1980 | Australia — 1980 |
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Vienna
Cassette, Album, Grey
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Chrysalis – ZCHR 1296 | UK | 1980 | UK — 1980 |
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Vienna
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Chrysalis – WWS-81355 | Japan | 1980 | Japan — 1980 | ||||
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Vienna
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Chrysalis – 202 701-320 | Netherlands | 1980 | Netherlands — 1980 |
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Vienna
LP, Album, Club Edition, Reissue
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Chrysalis – CHR 501296 | Canada | 1980 | Canada — 1980 |
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Vienna
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Chrysalis – CHR 1296 | Sweden | 1980 | Sweden — 1980 | ||||
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Vienna
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Chrysalis – CHR-1296 | New Zealand | 1980 | New Zealand — 1980 |
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Vienna
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Chrysalis – CHS 41296 | Canada | 1980 | Canada — 1980 |
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Chrysalis – CHR 1296 | Canada | 1980 | Canada — 1980 | ||||
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Vienna
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Chrysalis – CHR 1296 | Italy | 1980 | Italy — 1980 |
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Vienna
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Chrysalis – CHR-1296 | Spain | 1980 | Spain — 1980 |
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Vienna
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Chrysalis – 6399 103 | Greece | 1980 | Greece — 1980 |
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Vienna
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IMD (2) – IMD 7251 | Saudi Arabia | 1980 | Saudi Arabia — 1980 |
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Vienna
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GMR – GMR 2053 | Singapore | 1980 | Singapore — 1980 |
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Vienna
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Chrysalis – 826727-4 | Greece | 1980 | Greece — 1980 |
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Vienna
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Chrysalis – 202 701 -320 | Netherlands | 1980 | Netherlands — 1980 |
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Vienna
Cassette, Album, Stereo, Black Shell
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Ariola Benelux – 402 701 | 1980 | — 1980 |
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Vienna
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Chrysalis – CHR 1296 | 1980 | — 1980 |
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Vienna
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Chrysalis – 6399 103 | Portugal | 1980 | Portugal — 1980 | ||||
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Vienna
LP, Test Pressing, White Label
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Chrysalis – CHR 1296 | 1980 | — 1980 |
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Vienna
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Chrysalis – ML 4457 | South Africa | 1980 | South Africa — 1980 |
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Vienna
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Chrysalis – 05 8831 01827 | Colombia | 1980 | Colombia — 1980 |
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Vienna
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Chrysalis – none | US | 1980 | US — 1980 |
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Vienna
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Chrysalis – CHR 1296 | Israel | 1980 | Israel — 1980 |
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Vienna
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Chrysalis – CHR 1296 | Ireland | 1980 | Ireland — 1980 |
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Vienna
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Chrysalis – CHR 1296 | Iceland | 1980 | Iceland — 1980 |
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Vienna
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Chrysalis – 402 701 | 1980 | — 1980 |
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Vienna
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Chrysalis – CCH-1296 | Canada | 1980 | Canada — 1980 |
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Vienna
LP, Album, Promo
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Chrysalis – WWS-81355 | Japan | 1980 | Japan — 1980 |
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Vienna
LP, Album, Stereo
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Chrysalis – 202 701-320 | Netherlands | 1980 | Netherlands — 1980 | ||||
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Vienna
Cassette, Album
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Chrysalis – CHRK 1296 | Italy | 1980 | Italy — 1980 |
New Submission
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Vienna
LP, Album
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Chrysalis – 202 701-320 | Netherlands | 1980 | Netherlands — 1980 |
New Submission
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Vienna
LP, Album
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Chrysalis – 202 701-320 | Austria | 1980 | Austria — 1980 |
New Submission
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Vienna
Cassette, Album, Black
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Chrysalis – ZCHR 1296 | UK | 1980 | UK — 1980 |
New Submission
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Vienna
Cassette, Album
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Chrysalis – C37376 | Australia | 1980 | Australia — 1980 |
New Submission
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Vienna
LP, Album, Promo
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Chrysalis – CHR 1296 | UK | 1980 | UK — 1980 |
New Submission
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Vienna
LP, Album, Club Edition, Stereo
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Chrysalis – 202 701-320 | Austria | 1980 | Austria — 1980 |
New Submission
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Recommendations
Reviews
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Just given the cassette rehearsal recordings cd(4) a proper listen, ok the eq is a bit bad, but for unfiltered raw (dare I say punk) versions with early different arrangements....OH YES! this is great! (sounds like they are playing right here in my garage! :).....it’s probably on youtube...check it out.
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Edited 2 months ago
referencing Vienna (LP, Album) CHR 1296
I sort-of agree with the reviewer below me. Though it's not terrible I there being a high-frequency roll-off, which is UNUSUAL for a TLC mastering (and I've heard what must be hundreds of TLC-cut lacquers over the years). It was just okay.
BEWARE, however...what makes me disrecommend this pressing is a serious pressing defect. My copy was horrifically off-center on BOTH sides. By off-center, I mean "as close to Jamaican Off-Center™ as it gets". You could literally see the grooves oscillating and tonearm waving violently from a few feet away! Songs with sustained synths like "Astradyne" have SO much wow, they're borderline unlistenable.
Despite sometimes splotchy quality control, Capitol Mississauga had more impeccable-sounding pressings than just about any plant in the country. This is an extremely rare exception. And if one copy is off-center, that means 500-2,000 other copies are off-center too, because that's how many copies a single pair of stampers produces and stays in the record press for... and if the stampers are misaligned for one copy, that entire batch of records will be affected. Be EXTREMELY CAUTIOUS if you happen upon this pressing and spin it to inspect the grooves by eye, 'cause one pressing defect is a sure guarantee of disappointment. -
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referencing Vienna (LP, Album) WWS-81355
Interesting album. The sound is great. Silent surface, traditionally for Japanese releases. -
referencing Vienna (LP, Album, Repress) 202 701
Sounds great for a repress
My copy is pristine, no surface noise and good soundstage -
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Edited 6 months ago
referencing Vienna (LP, Album) WWS-81355
Great sounding Japanese pressing. I had the American copy when it first came out. As far as the music goes a lot of it sounds dated now. I like Sleepwalk, All stood still and of course Vienna which I think is the best thing they've ever done. Also Western Promise which does sound dated but I like it anyway -
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Good Clarity, albeit Ultravox not being known for audiophile quality sound.
Nice to finally own the B side Waiting on vinyl apart from the Styrene 7” single. Great additions.
Setup - Technics SP10 MK2, Rega 880 Tonearm/Audio Technica VMN540ML, Sony TA-FB940R, Klipsch speakers
Master Release
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