Tracklist
A New Day Yesterday | |||
Jeffrey Goes To Leicester Square | |||
Bourée | |||
Back To The Family | |||
Look Into The Sun | |||
Nothing Is Easy | |||
Fat Man | |||
We Used To Know | |||
Reasons For Waiting | |||
For A Thousand Mothers |
Credits (13)
- David Palmer (2)Arranged By [Strings], Conductor [Strings]
- Jimmy Grashow*Artwork [Woodcuts]
- Glen Cornick*Bass Guitar
-
John Williams (30)Cover [Based On Ideas From]
- Terry EllisCover [Based On Ideas From]
- Clive BunkerDrums, Percussion [All Manner Of]
Notes
Stand Up, released in 1969, is the second studio album by British rock band Jethro Tull.
Versions
Filter by
299 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Version Details | Data Quality | |||
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Stand Up
LP, Album, Gatefold Pop-Up
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Reprise Records – RS 6360 | US | 1969 | US — 1969 |
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Stand Up
LP, Album, Stereo, Gatefold
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Island Records – ILPS-9103 | UK | 1969 | UK — 1969 | ||||
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Stand Up
LP, Album, Gatefold
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Reprise Records – RS 6360 | Canada | 1969 | Canada — 1969 |
Recently Edited
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Stand Up
LP, Album, Stereo
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Island Records – 849 303 UY | 1969 | — 1969 |
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Stand Up
LP, Album
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Island Records – ILPS 9103 | 1969 | — 1969 |
Recently Edited
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Stand Up
LP, Album
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Island Records – SLIR-IL 22.036 | Italy | 1969 | Italy — 1969 |
New Submission
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Stand Up
LP, Album, Promo
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Reprise Records – RS 6360 | New Zealand | 1969 | New Zealand — 1969 |
New Submission
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Stand Up
LP, Album
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Philips – 849 303 UY | Spain | 1969 | Spain — 1969 |
New Submission
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Stand Up
LP, Album
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Reprise Records – RS 6360 | Venezuela | 1969 | Venezuela — 1969 | ||||
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Stand Up - Bourée
Cassette, Album
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Chrysalis – 73.004 CDE | 1969 | — 1969 |
New Submission
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Stand Up
LP, Album, Promo, Gatefold Pop-Up
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Reprise Records – RS 6360 | US | 1969 | US — 1969 | ||||
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Stand Up
LP, Album
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Island Records – ILPS-9103 | Scandinavia | 1969 | Scandinavia — 1969 | ||||
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Stand Up
LP, Album, Stereo, Pink Black Block "i" Labels
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Island Records – ILPS 9103 | UK | 1969 | UK — 1969 |
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Stand Up
LP, Album, Stereo, Red Label
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Sonet – SLP-3003/SLP 3003/ILPS 9103 | Norway | 1969 | Norway — 1969 | ||||
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Stand Up
LP, Album, Stereo, Terre Haute Pressing, Chrysalis Logo, Pop-Up Gatefold
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Reprise Records – 6360 | US | 1969 | US — 1969 | ||||
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Stand Up
LP, Album, Stereo, Gatefold
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Island Records – ILPS-9103 | UK | 1969 | UK — 1969 |
Recently Edited
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Stand Up
LP, Album, Laminated Cover
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Gamma (4) – GX 01-361 | Mexico | 1969 | Mexico — 1969 |
New Submission
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Stand Up
LP, Album, Stereo
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Reprise Records – 6360 | Australia | 1969 | Australia — 1969 |
Recently Edited
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Stand Up
Cassette, Album, Club Edition, Columbia House
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Reprise Records – CRX 6360 | US | 1969 | US — 1969 |
New Submission
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Stand Up
LP, Album, 3rd label
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Island Records – ILPS 9103 | 1969 | — 1969 |
Recently Edited
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Stand Up
LP, Album, Stereo
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Fontana – STL 249 | South Africa | 1969 | South Africa — 1969 | ||||
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Stand Up
LP, Album, Stereo
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Ricordi International – SLIR-IL 22.036 | Italy | 1969 | Italy — 1969 | ||||
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Stand Up
LP, Album, Stereo
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Reprise Records – RS 6360 | New Zealand | 1969 | New Zealand — 1969 |
New Submission
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Stand Up
LP, Album, No Pop-up, Gatefold
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Reprise Records – RS 6360 | US | 1969 | US — 1969 |
Recently Edited
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Stand Up
LP, Album, Santa Maria Pressing, Pop-up gatefold
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Reprise Records – RS 6360 | US | 1969 | US — 1969 |
Recently Edited
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Stand Up
LP, Album, Stereo, Terre Haute Pressing, No Chrysalis Logo, Gatefold, Pop-Up
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Reprise Records – RS 6360 | US | 1969 | US — 1969 |
Recently Edited
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Stand Up
LP, Album, Mono, Gatefold
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Reprise Records – 12.883 | Argentina | 1969 | Argentina — 1969 |
New Submission
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Stand Up
LP, Album, Stereo, Gatefold
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Island Records – ILPS-9103 | UK | 1969 | UK — 1969 | ||||
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Stand Up
8-Track Cartridge, Album
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Reprise Records – 8RM 6360 | US | 1969 | US — 1969 |
New Submission
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Stand Up
LP, Album, Stereo, Pitman Pressing, Pop-Up Gatefold
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Reprise Records – RS 6360 | US | 1969 | US — 1969 | ||||
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Stand Up
LP, Album
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Island Records – 849 303 UY | 1969 | — 1969 |
New Submission
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Stand Up
Reel-To-Reel, 3 ¾ ips, Album
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Reprise Records – RST 6360-B | US | 1969 | US — 1969 |
Recently Edited
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Stand Up
8-Track Cartridge, Album
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Reprise Records – M 86360 | US | 1969 | US — 1969 |
Needs Changes
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Stand Up
LP, Album, Stereo
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Reprise Records – RS 6360 | New Zealand | 1969 | New Zealand — 1969 |
New Submission
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Stand Up
4-Track Cartridge, Album, Stereo
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Reprise Records – 4RA-6360 | US | 1969 | US — 1969 |
New Submission
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Stand Up
LP, Album, Stereo, Pitman Pressing
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Reprise Records – RS 6360 | US | 1969 | US — 1969 |
New Submission
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Stand Up
Cassette, Album, Stereo, 1st edition release , 1969 UK
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Island Records – CIR 15005 | UK | 1969 | UK — 1969 |
New Submission
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Stand Up - Bourée
Cassette, Album
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Island Records – 73.004 CDE | 1969 | — 1969 |
New Submission
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Stand Up
LP, Album
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Island Records – ILPS 9103 | 1969 | — 1969 |
New Submission
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Stand Up
LP, Album, Stereo, Pitman Pressing, Pop-Up Gatefold
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Reprise Records – RS 6360 | US | 1969 | US — 1969 |
New Submission
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Recommendations
Reviews
-
Wow! This has an incredible mix! The sound distribution is incredible and it is a very loud and clear pressing. I got this pressing for the pop-up, but it ended up being worth much more than I anticipated. Definitely recommend.
-
COMPARISON TIME:
2017 Steven Wilson remix EU press
Vs
2022 AP 2x45rpm remaster
Took me a while to compare these mainly as i feared for the AP (and i wanted to wait til i had two identical decks setup for rapid A/B'ing). In my opinion, the SW Remix of Aqualung crushes the AP UHQR. The SW Remix of Benefit betters the AP 2x45rpm but not to the extent of Aqualung. Yet i am glad to be aboard the AP fanboy train and say this double 45rpm does the business and does it better than Wilsons remix. For me its the clarity and expansiveness that does it for the AP. Wilson has cleaned up the sound again but Stand Up doesnt need beefing up the way Aqualung desperately did and Benefit also benefitted from and here the Wilson mix is abit too aloof. Too phat. Too closed in. Clean and non fatiguing yes. But compared to the AP its abit lifeless.
The AP just has more texture, more expanse and more life. Andersons flute sounds so much more lifelike in particular.
Pressing quality wise theres little in it. Out the sleeve the SW Remix from Optimal is MUCH quieter. As often the case with QRP/RTI presses, a wash clean before two or three plays is essential to finish the work the plant couldnt be bothered to. Once cleaned the pressing matches, perhaps exceeds the Optimal job.
Packaging wise.... theres no arguing on the jacket front.... AP WINS. Thick, glossy tip ons have no equal. I do quite like the extensive notes of the Wilson Remix reissues though.
Your mileage my vary as ever, i dont pretend my observations mean anything to anyone else but myself. -
Edited 13 days agoCOMPARISON TIME:
2017 Steven Wilson remix EU press
Vs
2022 AP 2x45rpm remaster
Took me a while to compare these mainly as i feared for the AP (and i wanted to wait til i had two identical decks setup for rapid A/B'ing). In my opinion, the SW Remix of Aqualung crushes the AP UHQR. The SW Remix of Benefit betters the AP 2x45rpm but not to the extent of Aqualung. Yet i am glad to be aboard the AP fanboy train and say this double 45rpm does the business and does it better than Wilsons remix. For me its the clarity and expansiveness that does it for the AP. Wilson has cleaned up the sound again but Stand Up doesnt need beefing up the way Aqualung desperately did and Benefit also benefitted from and here the Wilson mix is abit too aloof. Too phat. Too closed in. Clean and non fatiguing yes. But compared to the AP its abit lifeless.
The AP just has more texture, more expanse and more life. Andersons flute sounds so much more lifelike in particular.
Pressing quality wise theres little in it. Out the sleeve the SW Remix from Optimal is MUCH quieter. As often the case with QRP/RTI presses, a wash clean before two or three plays is essential to finish the work the plant couldnt be bothered to. Once cleaned the pressing matches, perhaps exceeds the Optimal job.
Packaging wise.... theres no arguing on the jacket front.... AP WINS. Thick, glossy tip ons have no equal. I do quite like the extensive notes of the Wilson Remix reissues though.
Your mileage my vary as ever, i dont pretend my observations mean anything to anyone else but myself. -
referencing Stand Up (LP, Album, Reissue) 7243 8 55670 1 8
The EMI 100 does indeed end prematurely at the end of Side B. On both the UK and US original vinyl versions, "For A Thousand Mothers" fades into a few seconds of silence before a cymbal crash begins a short coda to end the side. The coda is missing from the EMI 100 version. -
Edited one month ago
referencing Stand Up (LP, Album, Stereo, Gatefold) ILPS 9103
I wonder why the Analog Productions 2-LP 45 is not listed here but has some separate listing. Scared me half to death because I bloody well KNEW I bought it, but it wasn't showing here. Finally, when doing a specific search for Stand Up Analog Productions, THEN the listing came up. WHY the hell is it not listed here?!
Okay, I was listing by 'LP', but the wouldn't the AP 2-LP 45 be considered under the 'LP' search? It DOES now show under ALL versions, but not under 'LP'... -
referencing Stand Up (LP, Album, Reissue) CHR 1042
I have the same copy like this one but you can see on the label red text above the black text. Can someone tell me pls? -
Just bought this. Was about to listen to and........ just why in the hell is 'Sweet Dream' not on here? That one has been rising in the ranks of Tull favorites since I first heard it.
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referencing Stand Up (17×File, WAV, Album, Remastered, Stereo, 24-Bit / 96-kHz (Steven Wilson Remix)) none
This 24-bit 96kHz remaster, coming 47 years after its debut, sounds amazing. Steven Wilson nailed it (no surprise there). The clarity, dynamics, and mix are perfect. Somehow Steven is able to take brittle and worn original tapes from half a century ago and coax completely new life from them. -
-
referencing Stand Up (LP, Album) SLP-3003
My copy is a Missprint. B Side tracks on both sides! Anyone who has the same missprint?
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