Loscil – Plume

Great album! But I believe the tags don't fit its content. I wouldn't use abstract, minimal or ambient to qualify it. Although it's rooted in the ambient genre, the omnipresence of beats makes it more ambient techno. Also, the structured or symetric rhythms prevent the music to be or be called abstract. Even not too busy, is it still too busy to be minimal. This latter category, I think, suits more the work of Alva Noto with Ryuchi Sakamoto. Anyway, the main thing to say is: great stuff!

I sent an email to kranky asking them if they would repress this along with a few other sold out records on their label and he said "yes." I'm not sure what the timeline is for this.

Please send me a message if you want to sell it to me for a fair price (shipment to Russia). Thanks in advance

We need a Jewel Case here. These cardboard sleeves deserve anti-nobel prize for the worst invention in the history of mankind.

Does anyone know what the sound quality is like on the vinyl edition of this?

This is a beautiful album. Headphone Commute's review sums it up pretty well. I like this one Loscil's album best, though I don't know them yet all.
Plume is doubtlessly the most ambient and minimalistic album you can find in my collection. I'm not a complete fan of the whole genre, but this album is beyond genres.

Favorite tracks: Zephyr and Mistral

Vancouver based Scott Morgan is a sound director within the video game industry. But that's his daytime job, and his contemporary ambient soundscapes constructed with looping oscillators (a similar function in Csound computer language is compounded to Loscil) don't have much in common with game music. In contrast, Morgan's fourth album Plume, on Chicago's Kranky Records, is a relaxing, atmospheric, and hypnotic trip unfolding layers of sound complimented by ethereal percussion, gentle xylophone taps, and strums of elbow guitar. For Morgan, the creation of music starts "with a harmonic root from which sounds [are] processed into a loose structure over which the live players could improvise". Each track within the album grows, transitions, and gradually develops into a piece bestowing a specific state of mind or a flashback to a concrete memory. A quote from Morgan's elaboration on a piece capturing the growth of family, if you will: " 'Charlie' was composed after seeing/hearing my daughter Sadie through ultrasound while she was still in the womb. The track was also partly composed as a womb-like sound experience for her to sleep to after she was born, hence the heart beats..." Recommended if you like his ambient label mates, Stars of the Lid, or other excellent artists in the modern classical genre, like Helios, Deaf Center, and Xela. Favorite track: Bellows.