Tracklist
The Show Must Go On | 4:36 | ||
Keep Yourself Alive | 3:47 | ||
Queen Talks | 1:45 |
Credits (4)
-
Richard Gray (2)Design
- Hannes RossacherFilm Director
- Rudi DolezalFilm Director
- Grandville (2)Illustration
Notes
Issued October 14, 1991, as the fourth single to be taken off the "Innuendo" album and barely five weeks before Freddie Mercury died.
This grouping assembles all variations and versions of the "The Show Must Go On" swansong single, featuring a widely different array of B-side tracks (mostly from the "Hot Space" era) as well as the "Queen Talks" interview.
This grouping assembles all variations and versions of the "The Show Must Go On" swansong single, featuring a widely different array of B-side tracks (mostly from the "Hot Space" era) as well as the "Queen Talks" interview.
Versions
Filter by
23 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Version Details | Data Quality | |||
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The Show Must Go On
12", 45 RPM, Maxi-Single, Stereo
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Parlophone – 12 QUEEN 19 | Europe | 1991 | Europe — 1991 |
Recently Edited
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The Show Must Go On
CD, Single
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Parlophone – 20 4533 2 | UK | 1991 | UK — 1991 |
Recently Edited
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The Show Must Go On
12", 45 RPM, Single Sided, Single, Etched, Gatefold
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Parlophone – 12QUEENSG 19 | UK | 1991 | UK — 1991 | ||||
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The Show Must Go On
7", 45 RPM, Single, Stereo
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Parlophone – 20 4533 7 | UK | 1991 | UK — 1991 |
Recently Edited
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The Show Must Go On
CD, Single, Stereo
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Parlophone – CD QUEEN 19 | Europe | 1991 | Europe — 1991 | ||||
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The Show Must Go On
CD, Single; Box Set, Special Edition
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Parlophone – 20 4564 2 | UK | 1991 | UK — 1991 | ||||
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The Show Must Go On
Cassette, Single
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Parlophone – 2666-4 | Australasia | 1991 | Australasia — 1991 |
Recently Edited
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The Show Must Go On
7", 45 RPM, Single, Stereo, Toploader Sleeve
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Parlophone – 016-20 4533 7 | Europe | 1991 | Europe — 1991 | ||||
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The Show Must Go On
12", 45 RPM, Maxi-Single, Stereo
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Parlophone – 14-204533 6 | Italy | 1991 | Italy — 1991 |
New Submission
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The Show Must Go On
Cassette, Single
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EMI – 20 4533 4 | UK | 1991 | UK — 1991 | ||||
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The Show Must Go On
Cassette, Single
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Parlophone – 2045334 | 1991 | — 1991 |
New Submission
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The Show Must Go On
7", 45 RPM, Single, Jukebox, Stereo
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Parlophone – QUEEN 19 | UK | 1991 | UK — 1991 |
New Submission
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The Show Must Go On
7", 45 RPM, Single, Stereo
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Parlophone – 06 20 4533 7 | Italy | 1991 | Italy — 1991 |
New Submission
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The Show Must Go On
7", 45 RPM, Single, Stereo, Sideloader sleeve
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Parlophone – 016-20 4533 7 | Europe | 1991 | Europe — 1991 |
Recently Edited
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The Show Must Go On
12", 45 RPM, Maxi-Single, Stereo
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Parlophone – 12 QUEEN 19 | Europe | 1991 | Europe — 1991 |
New Submission
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The Show Must Go On
7", 45 RPM, Single, Stereo, Card Sleeve
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Parlophone – 20 4533 7 | UK | 1991 | UK — 1991 |
New Submission
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The Show Must Go On
7", Single, Limited Edition, Numbered, Reissue, Stereo, Red
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Parlophone – 7243 8 81475 7 6 | Italy | 1994 | Italy — 1994 |
Recently Edited
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The Show Must Go On
7", Single, Unofficial Release, Red
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EMI – 8 81475 7 | Italy | 1994 | Italy — 1994 |
New Submission
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The Show Must Go On
7", Single, Unofficial Release, White Label, White
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EMI (2) – 7243 8 81475 7 6 | Italy | 1994 | Italy — 1994 |
New Submission
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The Show Must Go On
7", Unofficial Release, White Label, Blue
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EMI (2) – 7243 8 81475 7 6 | Italy | 1994 | Italy — 1994 |
New Submission
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The Show Must Go On
7", Single, Unofficial Release, White Label, Purple vinyl
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EMI (2) – 7243 8 81475 7 6 | Italy | 1994 | Italy — 1994 |
New Submission
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The Show Must Go On (XiJaro & Pitch Remix)
File, AIFF; 2×File, MP3, 320 kbps; File, WAV; All Media, Unofficial Release
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Not On Label (XiJaro & Pitch Self-released) – none | Netherlands | 2021 | Netherlands — 2021 |
New Submission
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The Show Must Go On
Acetate, 10", Single Sided, Test Pressing
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Abbey Road Studios – none | UK | UK |
Recommendations
Reviews
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Edited 3 years agoWith the driving violins from the very opening seconds, The Show Must Go On takes you up the biggest escalator ever; tying together the two threads of life: the question of life and the answer of life. When Freddie sings out the “show must go on”, he does it with so much pleading strength, and yes, makes the answer stronger than the question. And he was in the best life-position to unshakingly sing such a testament.
It’s alchemy in music, an extraordinary song. Extraordinary lyrics, voice, (life), band, guitar and string work, all of it, extraordinary.
All, forever pressed on this little, plastic 7”. One of my favourite singles, certainly the most moving. I also like the choice for the B side, “Keep Yourself Alive”. Listening to B after A, it sounds phenomenally light in comparison, but that’s not bad, (it makes you think of the lightness of life when there aren’t worries pressing down on you . . . ). Brian May’s signature guitar work is in fine form, a direct musical link, it’s a lovely companion tune.
[The video is a great memory capture of the mercurial life ed. Too eye-soppingly beautiful.] -
Edited 8 years agohttps://www.discogs.sie.com/Queen-The-Show-Must-Go-On/release/764694 is the same record (European release) but does not come in a gatefold sleeve and comes also not with the etched autographs. I have this record however I can not add the record in my Discogs collection.
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Edited 2 years agoOh, good grief, Queen, you fucking fossils – what are you doing in my collection? How anyone can adore this troupe, I’ve never been able to figure out – a personal low point; going back home from a messy weekend in Glasgow, only to discover that the airport express coach company, in an act of pure evil, had decided to entertain their engers with a DVD containing one of Queen's concerts from the 80's. Meaning I had to endure Freddie’s antics and Brian May’s hair on three screens simultaneously, for 2 hours, while I was in the most wretched state imaginable. I’m not sure I’ll ever recover. And those asinine records; “Bohemian Rhapsody”, the sentimental reissue of which kept the KLF off the #1 spot on the UK singles chart in 1991 – an unbelievably tedious music-as-theatresports monstrosity which does what Queen does best: an awful lot of nothing. Or “Radio Ga Ga” – how to ruin a nice verse and a cool body-poppin’ break with a chorus that comprises all the subtle nuances of a football terrace and a West End musical. Someone still loves yoooouuuuuu? I somehow don’t think so!
And then there’s “The Show Must Go On”, the final song on the last album they released while Freddie was still with us, and the pompousness to end all pompousness, Queen at their most ridiculously grandiose – and yet, it’s their finest moment, the ONLY moment in their discography I can be bothered with. Apparently penned by May partly as a therapeutical exercise during his divorce, it becomes a hell of a lot more when Freddie sings it – barely hanging on to his life, body ravaged by disease, he nevertheless delivers an unbelievable performance – done in one take, or so the legend goes. It’s the song where Queen briefly captures something greater than itself, something truly larger than life in fact – and “I’ll top the bill, I’ll overkill” is the most perfect line that their singer ever recorded. A few months later, he was no more. Rest in peace, you lunatic. I never liked your band. But I liked you. And I love this song.
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